good, it is like we know, and we don't really know what or who you are writing about or to. That gives the poem an enigmatic quality which is entising to the reader.
are you the subject, or the object... the metaphors move around and have a verity, and a wit which is in yr poems anyway... and i like the way you ended it with nonexistant cigarettes and a slap: "and quit telling me yer age". thanks raining
What is the "sin"? Possibly a forbidden and/or long lost love? I've yet to ever see a happy romance from you =)
And of course "Romeos and Juliets / Don't exist / And neither does Communism / or Batman / Or cigarettes" because all you can think about is her...or whatever this memory is. Nothing really exists when you're lost in the memory of something so wonderful. Especially if it wasn't there for very long. Or hasn't been around for a long time.
I'm assuming you meant to spell it as "tho" on purpose, so I supposed I'll leave that alone, although you can correct me. The same with "yer". Although I understand why you'd use "yer"--characterization and taking away any intimacy. It's perfect; it's hardly a love letter anyhow. And somehow I doubt no matter how big you write, it'll never blot out the memories. In fact...from experience, writing about it more and more keeps the memory intact. That's why we write about things that happen in the past, especially historical things so they can be perserved for future record.
good, it is like we know, and we don't really know what or who you are writing about or to. That gives the poem an enigmatic quality which is entising to the reader.
are you the subject, or the object... the metaphors move around and have a verity, and a wit which is in yr poems anyway... and i like the way you ended it with nonexistant cigarettes and a slap: "and quit telling me yer age". thanks raining