The smaller moments get lost. Fade. So I turn the screws and remember the memories; recall. Sea lions. That yellow ten-speed with the tarry cloth seat cover. White Russians. The last page of Les Miserables and the first page of Catcher in the Rye. Horses. Jagged Edge. Flashlights and forts. And I remember the better-forgotten. The bullies. Porn. Slap. Dusk in the desert and those damn bats. Spam and peas. That face when you left. Room 39.
I expect I’ll be forgotten when age absorbs me and eloquence leaks. I can see the four bare walls now, teeth in a glass, the so-long cigarettes that pull me toward that grave. America’s about the young, the beautiful, and I’m only young. Barely. This is the land where we put puppies to sleep when we up and move. Our grandparents get left. America, the home of the botched and bungled.
If we don’t do our own remembering, no one does it for us. If we don’t tell our story before we get shuffled, there is no narrator for the scene. Fade to black.
I remember a life. Mine. I know the sheen. Smell the blood and vomit. See the darker spaces. Touch the tighter places. Insides and outsides. Naughty. Nice. Notions knotted, locked inside. And the words I speak that belie. A man has to kill his own snakes so draw the line, make the mark. I’m given to spending a life to tell this story; mine.
I’ve heard it said, “publishing is a hole.” We throw ourselves headlong into the dark. But. This story; this flicker-spark in holy husk shines. Publish or not, I am worth writing.