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Deceit


A Poem by Rick Puetter
"
We must be rid of Thee
"

 


Deceit
 
Deceit…
 
Oh, Hollow, Wretched Creature!
Beneath soiled kingly robes
Beneath false gilded crown
Behind sly smiling teeth
Behind foul perfumed breath
You hide decay of soul
You hide malign intent
You hide Your meatless bones
 
Oh Black One, You’re a monster
So practiced in Your arts
With smile and laugh and jest
And happy Your demeanor
When introduced to guests
Yet cold is Thy embrace
Malicious is Your heart
Ruination Thy design
 
How be we rid of Thee?
Through careful watchful eye
Through constant love of truth
With steadfast best intent
Through heartfelt brotherhood!
Oh may we know Thy face
And shun Thy company
Instead may truth be found
 
We must be rid of Thee!
 
 
 
 
©2009 Richard Puetter
All rights reserved.
 
 
This poem was inspired by Emma's poem "Dreams might be wiser", see http://www.writerscafe.org/writing/scrapemma/429339/.

© 2009 Rick Puetter



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Author's Note

Dear Thracian,

Thanks for your review. As always, it is quite thorough and thought provoking. And while I generally don\'t comment on reviews, this is such a detailed review that I want to make a few comments. You\'ll note that I\'ve commented on your reviews several times before. As I\'ve said, they are thought provoking.

First, we\'ve discussed this before, i.e., do I count \"ed\" as a separate syllable. The answer as before, is no, I don\'t. I find this a somewhat arcaic practice, even though I generally support preservation of \"correct\" English and generally shun the introduction of slang, etc., into the language. Still, in common pronunciation of \"ed\" as a separate syllable, at least in the United States, is essentially dead. I certainly have never heard this done for most of my life.

Now, on the 6-syllable count, because that\'s what we\'re left with if \"ed\" is not a separate syllable, no, there is no \"number of the beast (666)\" thing going on here. It is simply a meter I\'ve decided to use for the poem. The line metric length is short to keep the pace of the poem fast, making the lines emphatic declarations.

Regarding simplicity of speech, you correctly remember. I always profess simplicity and clarity. But this is a poem about deceit, which is anything but simple and clear. So the words fit the topic. There is embroidery, there is slight of hand, there is hiding behind cover, and there is embellished speech. This is the nature of deceit.

And I agree with your comment that there is an easy melody in

Oh, Beast!
You hide beneath,
Hollow!
You hide behind,
Wretched!
you hide beneath, behind... you hide.

In fact I like this quite a bit, but what is your point? These words by themselves really don\'t say too much. Now maybe they do to you, and perhaps I can see that they might with some effort by the reader. But I think you are too clever and fast on the up-take. As I\'ve said before, I\'m not into making the reader work. I\'m into clarity and simplicity. I don\'t want my reader to work at all, at least not at discerning my meaning. It is another matter entirely if the words (clear in their meaning) provoke difficult thought and reexamination of values or point of view.

My very best regards,

Rick
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Featured Review

The flow of this outpaces anything I could write about Deceit, Rick.

You always write with such finesse; even those horrible traits making up deceit: the false facade, the snide manner et al are made somehow worthy when you write ... even though they shouldn't be!

'Oh Black One, You're a monster ~ So practiced in Your arts ~ With smile and laugh and jest ~ And happy Your demeanor ~ When introduced to guests'

I love the old English ring of this, as if written when men could be knights or scoundrels. You, sir, are very definitely one of the former.

Thank you for sharing and in your own way, commiserating. x

Posted 4 Months Ago

2 of 2 people found this review constructive.


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