Snake-Eyes: American Declassified

A Story by Abishai100

A real-life 'James Bond' in modern times meditates on the strange quality of civilization's capitalism detours...and faces democracy.

A patriotic 9/11-anniversary year vignette about 'discovered dues' inspired by G.I. Joe: A Real American Hero (Marvel Comics).

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The modern civilization was typically characterized by images of great fervor amidst worries of great antiglobalism terrorism (e.g., 9/11), compelling spiritual artists to cast this Great Tribulation as a sort of socialized insanity regarding streamlined and nearly invisible forms of alienation, prompting stories about metaphysical wonder.

The United States was at the forefront of global leadership in this new globalized capitalism environment, creating new images of media and network news and information vitality and prioritization, while journalists had to scramble to create the appropriate 'headlines' to capture all this modernism glory...and complication!

When terrorists destroyed the commerce/globalism-symbolic World Trade Center (NYC) on 9/11, the world was awakened to the modern reality that capitalism was by no means secured from the imagined threat of network destabilizing violence agents and organized antisocial depression.

Snake-Eyes (Amlan Satan) is a blood-diamond infiltration-agent with Interpol-relations working in economically-complicated and sectarian-troubled Northern Ireland (United Kingdom), serving as a real-life 'James Bond' to destabilize piracy-traffic threatening overground commerce and economics-reform talks between Catholics-Protestants in Western civilization and operating as a 'masked guerrilla thief-ninja' to intercept blood-diamond shipments heading into challenged Belfast.

SNAKE-EYES: As 'co-captain' of the new world group known as the 'Foreign Irish Republican Army' in the UK, I study dreams.

Snake-Eyes traveled to the Himalaya mountains in Nepal/India and began to meditate on the strange infinite nature of political intrigue and complexity in this modern era and wanted to understand/appreciate why capitalism mazes or 'labyrinths' of profiteers had created a fearful new 'aura' of anti-organic 'intelligence' geared towards making life on Earth much more cold...and calculating.

Snake-Eyes stayed at a Nepalese bungalow while trekking through the wintry Himalayas in head-wrapped heat-gear and climbing-gear/gloves and hoping to ascertain a personal/private reflection on the strange nature of capitalism disarray and globalism challenges in human civilization and now considered himself an 'advocate' of humanity's best distances.

SNAKE-EYES: I've befriended a very unusual but intelligent wolf-dog in this area and renamed him Bertrand; my angel!

It's true; the modern world was filled with layering topology of capitalism complications creating cascading journalism images of alienated humanity dealing with the strange 'face' of network-driven angst and ambition as well as modern-day sectarian isolationism, even in developed/respected 'dominions' like the United Kingdom (Europe).

Snake-Eyes had a strange 'vision' during these modern meditations in the Himalayas in which he saw an infinite great 'lake of fire' composed of various souls in transit, struggling for silenced expressions of great resistance against overwhelming feelings of imposed or 'inherited' frailty or ambition-oriented civilization descent. He was witnessing a translation of the proverbial 'dream' of tribulation-detention. Was this real?

SNAKE-EYES: I find myself required to debate with a great Red Dragon of adversarialism to arrive at ninja-designs!

RED DRAGON: You've come to me with a vision of great complexity.
SNAKE-EYES: I'm the real-life James Bond!
RED DRAGON: Well, you're a man witnessing the depth of modernism complexity.

SNAKE-EYES: This is the 'Inferno' of the Great Tribulation...and it's modern!
RED DRAGON: That's correct, Snake-Eyes.
SNAKE-EYES: Well, what's the machinery reflect, really?
RED DRAGON: This is a vision of great conceptualization of hellish wonder.
SNAKE-EYES: What?
RED DRAGON: Yes; you're seeing the realism behind coordinated darkness.
SNAKE-EYES: What?
RED DRAGON: Yes; civilization is marked by the layers of ambition betrayal.
SNAKE-EYES: Sounds like basic capitalism veils.

RED DRAGON: True; but these 'veils' as you put it re-present distinction of competition!

SNAKE-EYES: Competition?
RED DRAGON: To understand/appreciate the 'nature' of capitalism, you must see the face of dollars.
SNAKE-EYES: Dollars?
RED DRAGON: Yes; it's in the shuffling of world-dollars that we may witness the depths of greed.
SNAKE-EYES: Doesn't that seem like straight evangelism addressing?
RED DRAGON: No; it's also the 'machinery' of civilization coordinated dowries.

SNAKE-EYES: Like blood-diamonds?
RED DRAGON: Precisely, Snake-Eyes.
SNAKE-EYES: So, you inform me that capitalism machinery is about the diagonals of depression!
RED DRAGON: Yes; it's really a reflection of the layers of network angst...and journalism.
SNAKE-EYES: Can man address the dilemma of ambition through the intelligence-lens of communication?
RED DRAGON: That's the best theory, Snake-Eyes.

SNAKE-EYES: Well, then it seems you're the 'adversarial' messenger of capitalism's detentions.

RED DRAGON: Consider me an 'advocate' of modernism dollars.

From this great meditation in the snowy mountains of the Himalayas, the valiant real-life 'James Bond' in modern times known as Snake-Eyes (Amlan Satan) had witnessed the contouring of great metaphysical magic in proportion to the realism behind the 'dark veil' of network-driven ambition depression ideas, as told by the figurative dream-avatar known as Red Dragon. Snake-Eyes (Amlan Satan) decided to create a series of paintings of cemeteries in which he re-presented a fog or 'mist' of life's strange and eternal sense of wondrous death-prayers.