Academy-Youth {IQ}: Ed-Digital

A portrait of Western-cinema labor(s) and the heroics 'wrought' from real political/traffic danger(s).

A story about youth-demos inspired very loosely by Baby Geniuses. Thanks for reading, 

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This is the story of my breakout one-hit-wonder in Hollywood, when I made a movie about the Irish Republican Army troubles with the Protestant UVF in sectarian Northern Ireland (United Kingdom) as a children's schoolteacher who'd been beset by political woe(s) and carried out strange IQ for the sake of community inter-religious coexistence dialogue/journalism.

Oscars-night is quite the 'phenomenon' in Western civilization, a night of 'recognition' of the culture-diadems of cinema-culture parades/trophies for the 'laurel(s)' of lyrics and storytelling. I'd become a 'sensation' in the cinema-landscape after this Irish Republican Army film (Steven Soderbergh) and was invited to see the 'dazzle' of the iconic broadcast event of Western dance/music, and I'd hoped to usurp some serious contenders for the golden-trophy of storytelling/motion-picture(s). 

There'd been multiple/several high-quality movies/motion-pictures that 'Oscar(s)-night' in Hollywood (Cali) that set-the-stage for a competition-IQ for the media-broadcast era. I was nominated for Best Supporting Actor for my 'unusual' portrayal of a stranger of the New IRA in Catholic-Protestant Belfast (Northern Ireland, UK) who'd become immersed in youth-education programs for the advocacy of democracy-storytelling, and critics called me 'Oscar-worthy' because of my uncanny rendition of a 'traffic-IQ man' who'd been cast as a real-life 'super' hero.

CRITIC: This portrait of a Belfast immigrant who became a schoolteacher and guerrilla-diamonds thief for unemployment-talks in Parliament regarding piracy-temptations in crime-world(s) in Northern Ireland reminds us why modern cinematic-storytelling may 'cast' characters/avatars of rather 'unusual' sociopolitical density/weight regarding the imagery of socialized controversy.

That night, major movie 'celebrity' was cast as a shadow-light of the Western revelation(s) of real sociocultural traffic IQ/drama/intrigue, and a major female 'star' was perhaps honored for her casting of criminal-insanity as a 'phenomenon' of the failure(s) of psychiatry in Western civilization. I knew the competition was 'literally' distinguished!

MEDA-REPORT(S): There's something unique about Academy-Awards spotlight(s), perhaps because of media-diaries!

However, this strange 'super'-hero story about Oscars-night isn't about media-journalism but about kids! The youngsters who appear at Oscars-night dressed in glittering dress and hoping to cast the cinema-culture of the West as social conversation remind us of the 'diplomacy' of storytelling.

A young actress (Nathalie) who'd been nominated alongside me for the Best Supporting Actress award that Oscars-night was, like me, invested in stories/movies about youth-experience(s) in globalism-traffic, for her portrayal of a wartime nurse in a hospital for children, and she'd been 'hawked' by critics as overly-controversial and dramatic for youth-refugee stories, not unlike me, who'd been in an incendiary film about sectarian education/life, which is what drew me to her in this night of photogenic diaries.

Ironically, the IRA-film I'd made which earned me the Oscar-nod/nomination inspired me to further my own/personal cyber-comics work with youth-media and adventure-stories about schools/academies in 'flux' because of strange politics and governance and empire-fear(s), and I sought to market these comics specifically in sectarian Northern Ireland!

CRITIC: This 'breakout' laurel-performance/nomination for this Belfast Baudelaire reminds us why stories create youth-IQ!

So, I invited Nathalie to a Belfast schoolhouse where we'd work together as co-teachers/peers in a media-program/initiative to 'trumpet' the access to resources/kits/toys for youth immersed in inter-religious coexistence 'complexity' in modern Europe (Western civilization) and were portrayed in newspapers as 'celebrities' with 'real' democracy-dollar(s).

They now call me the 'real Peter Pan' of Western media-traffic/culture, and Nathalie's been called my 'Florence Nightingale' of the media-dollar(s) ideations, and though I failed to win the Oscar that night in Hollywood (Cali), I became content as a social-media era 'messenger' of Western traffic-theater!

NATHALIE: The experience(s) of youth-education in complicated (Western) civilization is storytelling/dance.

So, we 'customized' a special doll/figurine in visage of Nathalie and made her our Belfast schoolhouse 'Athena' and hoped to cast her in the nonfiction condition(s) of real inter-religious storytelling, way past the 'fiction' dollar(s) of Oscars-night.

CRITIC: If this Oscars-duo will make Nathalie a Euro-goddess, then we'd create new 'faerie-tales' about globalism-diet(s).

I didn't win the Oscar. However, now, alongside my Western comics-heroine (Nathalie), I've become a social-media messenger for cyber-ideation(s) of real progress in the modern 'dominion' of story-driven dates. Isn't that the real dream?

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"Money is everything" (Ecclesiastes)