The Untitled Film

          INT. A'S ROOM, WHITE VERSION.

          Open on a shot of A sitting on his bed, from behind. The

          room is blank, completely undecorated. only the bed is

          visible. A's semi-short, dark hair is unkempt and shaggy.

          His cloths, casual dress, but all wrinkled and ruffled. his

          shirt is untucked. there's black a tie lying behind him on

          the bed.

          Slowly, A lifts both his arms reaching to his head.

                                                 CUT TO A'S WORK.

          INT. OFFICE CUBICLE

          We see a shot of A's face, illuminated by a screen as we

          hear typing on a keyboard. then a shot of him from the left.

          He is typing away at his computer, working.

          He's clean cut with his hair combed back. Same outfit as

          before, but pressed, shirt tucked in, with his tie on.

          The cubicle is boring and gray, the only decorations are a

          clock on his desk and a calendar with every 4th date

          circled.

          2 walks in from the right, holding a clipboard. He's a tall

          man with brunet hair and glasses. he's wearing nearly the

          same outfit as A, but his sleeves are rolled up and he's

          wearing a red tie.

          A doesn't notice him until 2 speaks.

                              2

                    Did you finish the Willard report?

          A turns to him, not quite hearing what he had said before.

                              A

                    What?

                              2

                    The Willard report, I need it.

                              A

                    Oh, yeah.

          A reaches in his desk to pull out a few pieces of paper

          stapled together and hands it to 2. Shot changes to show 2

          from his back with A sitting at his desk on 2's right hand

          side. A's clock is displayed in between them, ticking

          backwards.

                              A (CONT'D)

                    Here.

          2 takes the papers and looks them over. we get a shot of the

          papers which read "Here's your f*****g cooked report you fat

          piece of s**t." on the first line followed by the phrase

          "It's all bullshit anyway." Repeated over and over again for

          the rest of the packet. 2 doesn't address or see this. to

          him, it's just a regular report.

                              2

                    Good, good. Now I need you to

                    anonymize the Richardson account.

                              A

                    For the fi-

                              2

                    Yeah yeah, and don't do is ALAP

                    this time, 9. There's three more

                    reports to do before the end of the

                    week.

          2 leaves and A sighs, looking defeated as he slumps in his

          chair.

                                                  CUT TO THE PARK

          EXT. PARK BENCH - MID DAY.

          Open to a straightforward shot of A sitting on a bench,

          looking down at a sketchbook, drawing inside. We change to a

          shot over his shoulder from behind, looking at his sketch

          and showing the viewer it's of a tree and a man hanging from

          it. A then looks to his right as he hears the sound of a

          couple playing in the park. He turns the page on his

          sketchbook without looking.

                                                  CUT TO A'S ROOM

          INT. A'S ROOM, DECORATED.

          We open on a shot of A from his left side sitting on his

          bed, watching fight club. He's dressed down, wearing jeans

          and a T-shirt.

          The room is decorated with various paintings and random

          clutter. There's a nightstand on the left side of the bed

          and a chair off in the corner.

          A hears a sound and looks behind him, toward his door off

          screen. He gets up to investigate and leaves the room. You

          can hear a scuffle in the next room, getting louder as fight

          club still plays in the background.

          The sounds stop and A walks back into his room, visibly beat

          up but has on a blank expression. He sits on the right side

          of his bed, and pulls out his phone to call 911.

                                                CUT TO THE OFFICE

          INT. OFFICE CUBICLE

          A walks into O's cubicle, carrying a stack of papers. The

          cubicle is decorated with various motivational posters, some

          lighthearted meams, and various family pictures.

          A is dressed in his office cloths and has a new cut on his

          jaw. His hair hasn't been combed.

          O is wearing a nice dress. She has on thick, red lipstick

          and has her blond hair in a ponytail.

          O is just getting off the phone as A enters. He looks

          obviously nervous as he starts to speak with her.

                              A

                    Hey, uh, 1. I got those files you

                    asked for.

                              O

                    Oh, thank you, 9! You're a

                    lifesaver!

          The way her voice sounds is overexagerated, and fake. The

          moment she takes the papers, she turns away back to her

          desk. completely ignoring A, who is still standing there.He

          looks at her a moment then turns to leave but turns back at

          O again, taking in a deep breath.

                              A

                    Hey, so, O, I was thinking. um,

                    maybe you and me could uh... Go get

                    coffee sometime, or, something?

          O looks at him over her shoulder, a bit surprised he asked.

                              O

                    Um, sure. I guess.

                              A

                    R-Really? Great great! I know just

                    the place!

                                                  CUT TO THE CAFE

          INT. CAFE CORNER

          A is sitting at a circular table across from an empty chair.

          He's drinking a coffee, staring off into space.

          He's dressed nicely, wearing an open, green, buton up shirt

          with a band T under it.

          He looks around the cafe for a few moments then into his

          cup. He briefly checks his phine and sighs, dropping his

          head.

                                                  CUT TO HIS ROOM

          INT. A'S ROOM, DECORATED.

          We see the siloutte of A having extremely aggressive sex

          with C, acompanied by the sound of grunts and moans while

          the bedsprings creek. After a few seconds, they finish and

          slow down, rolling of C and breathing heavy as he lays in

          bed.

          The shot changes to an top down view of the two laying

          there.

          A is shirtless, blanket covering his lower half, hair messy.

          C, nude but covered by the blanket has dark, long hair,

          messed and spread on the bed.

          C gets up and begins to dress. A turns his head to her.

                              A

                    You don't have to go right away.

                              C

                    You only paid for an hour, you're

                    already over that.

          A sighs and waves her off.

                                                      CUT TO PARK

          EXT. PARK BENCH - MID DAY.

          A is sketching again. He looks very focused on it as the

          camera zooms in onto his face. He gets splashed by a biker

          as he goes through a puddle. mud and water cover his

          sketchbook, ruing his drawing. He sets the sketchbook down

          on the bench with an annoyed look then places his face in

          his hands.

                                                  CUT TO A'S ROOM

          INT. A'S ROOM, DECORATED.

          A is on his laptop, sitting on his bed. He's only wearing

          boxers.

          He hears his door being kicked open and runs to confront who

          it is. He's hit back onto his bed before he makes it out the

          door and two men walk in.

          One is wearing sunglass, and looks like he's of cuban

          desent. The other is whereing a bandana over his mouth and a

          snapback.

          The men look down at A for a few seconds, A attempting to

          say something before they start beating him. punches and

          kicks. during the attack, A looks up and sees the men as O

          and 2. When the attack is over, the men start walking out.

                              MAN 

                    Next time, pay up.

          The men leave. A lies on the floor, groning.

                                                    CUT TO OFFICE

          INT. OFFICE CUBICLE

          A is sitting at his desk, staring at his computer screen.

          He's visibly injured. a black eye and cuts on his face. He's

          wearing his usual office attire, but it's all rough and

          wrinkled. His hair is uncombed.

          He sits silently as the background noise of the office

          carries on. 2 Comes up to him casually talking while looking

          at his clipboard.

                              2

                    Hey, i'm gunna need you to-

          2 lowers his clipboard to look at A and pauses in his

          sentence.

                              2

                    Whoa, 9, what happened to you.

                              A

                    Uh, i uh jus-

                              2

                    Cause seriously, you look like

                    s**t.

                              A

                    Biking accident.

                              2

                    Hu, ok, uh. Is the Richardson

                    report done?

          A nods and hands him and gets the papers from his desk then

          hands them to 2. 2 looks them over and every page is blank.

          the character does not see this. 2 nods to A and walks off.

          Moments later, O comes up to A carrying a stack of papers.

                              O

                    Hey 9, Could you be a dear and

                    collate these for me? Thanks!

          She walks off without waiting for an answer. A looks at the

          papers without expression, then to the ground.

                                                      CUT TO PARK

          EXT. PARK BENCH - MID DAY.

          A sits on his usual bench, staring off into spcae. He takes

          a drag from a ciggarette, then a drink from a flask. He

          looks to be on the verge of tears.

                                                  CUT TO A'S ROOM

          INT. A'S ROOM, WHITE VERSION.

          A is sitting on his bed. Room completely blank and

          undecorated. A is in his work cloths. His shirt is half

          unbuttoned and untucked, his sleeves are rolled up and his

          tie is lying behind him.

          He turns his head to look right and reaches under his pillow

          to pull out a pistol. He holds it in both hands, looking it

          over before he raises it and places it into his mouth.

          We zoom in on his face as he stares into the camera and his

          breathing gradually gets heavier and faster until all we see

          is his eyes and he takes one deep breath and closes his eyes

          tight.

                                                     CUT TO BLACK

                                  *The End*