A.P.C.I.R is motley crue of supernatural agents. Investigating, monitoring and, sometime removing, supernatural criminals, while keeping the human population unaware.
Previous Version
This is a previous version of PSI CRIMES-MAGICK VS. NATURE EP.1.
PSI CRIMES
MAGICK VS.NATURE
TEASER
FADE IN:
INT: PRISON CELL-NIGHT
KARLEE(20’s)stands up against the bars in a black jumpsuit,
a black choker with green flashing light surround her neck.
Her blond hair hangs in matted clumps, her blue eyes appear
sunken and the red pupils seem to have dulled. Her skin
once, porcelain-white now jaundiced.
She grabs the bars and looks straight ahead.
KARLEE:
I may be many things, but a killer
I am not.
(INTRO SONG)
INT: LIVING ROOM-NIGHT
Inside a moonlit living room sits MR. RILEY SCHWARTZ(52), on
a ripped up brown leather couch. His face contorted in
anger. His gray hair nearly ripped out, blood drips down
from self-inflicted wounds on his scalp. Skin hangs from his
bone, proving at one time he was, in fact, a very large man.
His pure black eyes fix on the door.
Footsteps are heard outside, the door swings open.
BERTH(V.O.):
((IN A DEEP DEMONIC TONE))
Come in I have been waiting for you
Karlee.
INT/EXT: FRONT DOOR-NIGHT
Karlee’s voluptuous frame appears in the door way, her blues
eyes with red pupils glisten in the pale moonlight. Her, now
blond hair, is placed in a tight bun.
As she walks in she quickly grabs for her cellphone.
INT: LIVING ROOM-NIGHT
Two men with laser guns come up from behind her.
KARLEE:
Hello, this is Karlee Trisiphone, I
need the shaman to come to...
(CONTINUED)
CONTINUED: 2.
BERTH(V.O.):
No need.
Her cellphone drops
WOMAN 1(V.O.):
(Through cellphone)
Hello, hello, Karlee are you OK?
Mr. Riley Schwartz’s head falls back, his mouth opens and
black smoke emanates from it quickly turning into an arched
tornado.
Berth appears. His bright red skin and black marking stretch
over a 7 foot wide muscular frame.
BERTH:
You can have me.
Berth places his clawed hands out
in front of him. Allowing on of the
black suited officers to cuff him
an led him away.
They pass Karlee, he turns his head toward her and winks.
The officers escort him outside.
Karlee’s eyes widen and follow Berth
WOMAN 1(V.O.):
(Screams through cellphone)
What is going on?
Karlee, still with the shocked look
on her face, place the cellphone up
to her ear.
KARLEE:
(On cellphone)
Cancel the shaman, we have demon
658320 on custody. Returning to
headquarters. (hangs up)
FADE OUT
EXT: MOUTH OF CAVE-FOREST-NIGHT
In a thick forest foot steps are heard Karlee’s voluptuous
frame appears her blues eyes glisten in the pale moonlight.
SUPER: A.P.C.I.R.-HEADQUARTERS
ELECTRONIC VOICE(V.O)
Identification please.
(CONTINUED)
CONTINUED: 3.
KARLEE:
Karlee Tisiphone.
ELECTRONIC VOICE(V.O):
Species?
KARLEE:
Succubus.
ELECTRONIC VOICE(V.O):
Place identification limb on
scanner please
The left side of the cave glows briefly, a scanner appears
with a green symbol of a hand on it. Karlee places here hand
over the green hand on the pad.
ELECTRONIC VOICE(V.O):
Identification complete Karlee
Tisiphone, succubus, 3rd century...
Karlee clicks her tongue and sighs.
ELECTRONIC VOICE(V.O):
... security clearance infinity.
State your purpose.
KARLEE:
Lemme in, I am freezing my tits
off!
ELECTRONIC VOICE(V.O):
Purpose unrecognized.
KARLEE:
I need to report to Messueer.
ELECTRONIC VOICE(V.O):
Access granted
Karlee starts to step inside white
light rings shoot up around her and
she is lunged forward into the
cave.
SMASH CUT:
Karlee tumbles into the office of Adam Messueer.
4.
INT: LARGE OVAL OFFICE-NIGHT
Karlee grabs on to a chair to stop herself
SUPER. A.P.C.I.R.-OFFICE OF ADAM MESSUEER- HEAD OF SECTOR 3
E.A.U.
ADAM(O.S):
Damn, they told me they had fixed
that!
Karlee looks around, but see only
the dark wood furnishings and
windowless walls. She steadies
herself and stands up straight.
KARLEE:
Can I see you sir, literally I
mean.
ADAM ,(40-looking) appears beside Karlee. A tall, pale man
with salt and pepper. His crisp suit resembles a butler from
the 1800’s.
ADAM :
Oh, sorry I didn’t realize.
Karlee c***s her eyebrow.
ADAM :
Hey I still go on assignments.
He walks over to the table and sits
down.
ADAM :
So what do you need Karlee?
KARLEE :
Just to give you my report sir. I
got demon 658320 out of a one Mr.
Riley Schwartz
ADAM :
Demon who? Sit down you’re making
my neck hurt.
Karlee takes a seat next to him placing a black folder on
the mahogany table.
KARLEE:
Berth, sir.
(CONTINUED)
CONTINUED: 5.
ADAM :
((whisper to himself))
I don’t know why we just don’t call
them by their names, it’s not like
we are all human.
He looks up at Karlee
ADAM :
You were saying?
Phone rings, Adam picks up the phone, stands up as door
opens
MITCH(17-human form). His doe brown eyes mouse brown hair
and lanky stature hide the werewolf inside.
MITCH:
Sir, you are needed in sector 3.
ADAM :
I know, lets go.
Karlee grabs the file and follows Mitch and Adam.
INT: BRIEFING-NIGHT
Mitch grabs Karlee’s arm.
She stops and looks at him. Adam looks back, but Keeps
moving.
MITCH:
How did the case go?
KARLEE:
It went well, Berth didn’t give
much in a way of of fight.
She suddenly looks down at the
folder in her arms.
KARLEE:
He actually came willingly.
She looks up quickly, terror in her
eyes.
KARLEE:
Something is wrong.
Mitch steps back, c***s his head and eyebrow.
MITCH:
What do you mean? You found him,
exorcised his arse, so he didn’t
(MORE)
(CONTINUED)
CONTINUED: 6.
MITCH: (cont’d)
have the strength to fight the
officer after wards. What’s to
worry about.
KARLEE:
That’s just it we didn’t exorcise
him, the shaman hadn’t even been
called yet. Berth saw us and came
out... no this isn’t over,
something is up. Is it just me
or...
Adam calls for them to hurry up.
ADAM(O.S.):
Come on, we need you in here!
Karlee and Mitch run to catch up.
THE DOORS OF SECTOR 3 SWING CLOSE.
INT: SECTOR 3 CONTROL ROOM-DAY
SUPER. A.P.C.I.R. SECTION 3 CONTROL ROOM
A long narrow room, no light except of those of the
monitors, viewing prisoners and various points of the world
and lighted buttons.
ADAM:
What’s all the commotion about?
MAN 1:
Sir, the demon possession in
section 25 has been expelled, also
the Lobos has called a truce with
the Kindles in section 51 and the
zombies have stopped all
activities.
ADAM:
I am confused, isn’t that why we
are here? Isn’t that a good thing.
MAN 1:
Usually yes sir but as of yet none
of our people are out there.
A MAN 2 sitting at the far end
calls over.
7.
INT: SECTOR 3 CONTROL ROOM- FAR END-NIGHT
MAN 2:
Sir, come here, prisoners are all
standing by the bars of their
cells.
Adam, Mitch and Karlee walk down to Man 2.
Man 2 points to the monitors.
Across the 12 black and white monitors, 12 prisoners of
various species, stand in unison with their eyes closed up
against their bars. Their mouths too move in unison.
MITCH:
Turn on sound we need to see what
they are saying.
INT: PRISONER HOLDING CELLS-DAY
SUPER. A.P.C.I.R.-PRISONER HOLDING CELL
In color, a gray long windowless room, 12 cells line the
left side.
PRISONERS(O.S.):
(IN LATIN )
(IN UNISON)
We demon come as one. Passive to
invaders and traders. Through
trickery we come together. For soon
the Blood Truth shall spread.
Awaken, awaken,awaken!
INT: SECTOR 3 CONTROL ROOM- FAR END-DAY
MITCH:
What they chatting on about?
KARLEE:
It is Latin. What they are saying
is- We demon come as one. Passive
to invaders and traders. Through
trickery we come together. For soon
the Blood Truth shall spread.
Awaken, awaken,awaken!
Mitch And Adam look back at the monitors.
Karlee’s eye quickly go from her normal blue to blood red
back to blue.
She steps back Mitch grabs her.
(CONTINUED)
CONTINUED: 8.
MITCH:
Eh OK?
She says once more, shakes her head and straightens up. He
lets go.
KARLEE:
Yeah, just got hot.
She squeezes her eyes,opens them, she sees Mitch’s red
sexual aura pulsate, she squeezes them again and reopens
them-all is back to normal.
KARLEE:
I, I have to go I have to check up
on something. I that OK sir?
ADAM:
Sure go...
She starts to walk away, but Adam stops her.
ADAM:
But go by med-lab first to get
checked out, you have been working
8 days straight.
KARLEE:
Yes, sir.
Karlee walks quickly into the hall
SMASH CUT:
INT: MEDICAL LAB-MORNING
SUPER. A.P.C.I.R. MEDICAL LAB.
KARLEE:
What the hell?
She hears the doors squeak, she turns around.
SESAME, his golden brown fur peeks out from under his crisp
white lab coat. He walks in while looking at charts, he
nearly runs into Karlee.
Karlee backs up and hops onto an examination table.
KARLEE:
Sesame!
He looks up and steps back
(CONTINUED)
CONTINUED: 9.
SESAME:
What? Oh, sorry Karlee didn’t see
you there.
He pulls up a chair down, though still towering the exam
table by three feet.
Karlee lowers her head and fidgets with her hands.
Sesame bends over.
SESAME:
Karlee I’m not a mind reader, you
have to go to sector 8 for that.
Karlee looks up (beat) and sighs.
KARLEE:
I (beat) I had a flash
Sesame straightens up.
SESAME:
A flash?
KARLEE:
You know, I saw Mitch’s sexual
aura, and let me tell you he is
way, way over do.
Sesame bites back a giggle.
SESAME:
Poor Mitch, well he is only
17...
KARLEE:
100 years ago..
SESAME:
True enough. When was the last time
you had a flash?
KARLEE:
February 12 1586, a month before
the shaman placed my modifier in
and I started working her.
SESAME:
Who is over do?
Karlee glares at Sesame for a hard
beat, then clears her throat.
KARLEE:
Excuse me, Am not over do, I just
enjoy it more like a human woman
now.
(CONTINUED)
CONTINUED: 10.
SESAME:
Right, well sadly you are not the
only one. Many other Borns have
been experiencing it to.
KARLEE:
BORNS?
SESAME:
People like you and me, I mean,
well we were born this way. I have
always been a Sasquatch, you have
always been a succubus. Now people
like Mitch and Andrea, they were
made into what they are i.e. they
are classified as Mades.
KARLEE:
So, only us Borns are effected?
SESAME:
Yup, go see Glen in astrology and
shamans, maybe he can help.
Karlee hops off the table and starts to walk out, but stops
and turns around.
KARLEE:
Thanks Sesame, by the way, how is
the wife?
SESAME:
You’re welcome. She is doing good,
she is due any day triplets...
He shakes his head.
SESAME:
...wow. Bye Karlee, come back if it
happens again.
KARLEE:
I will.
SHE WALKS OUT.
INT: HALLWAY-MORNING
As she steps into the hallway, three men, in black military
grab walk by. The first two have a light pink aura around
them , the third one has a deep red pulsating aura.
Karlee breaths in deeply and closes her eyes.
(CONTINUED)
CONTINUED: 11.
KARLEE:
(MUMBLES TO HERSELF)
I will not give in I will not given
in!
She opens her eyes.
KARLEE:
Berth!
She runs down the hall. She stops quickly, she wait for the
men to go into the Canteen. They do, she run to the Prisoner
Lock-Up.
SHE GRABS THE DOOR AND FORCES IT OPEN.
INT: PRISONER HOLDING CELLS-MORNING
Karlee walks down the long narrow hall, each step of her
heels echoes loudly. She stops abruptly in front of Berth’s
cell. She turns and faces him.
KARLEE:
Berth! What have you done?
Berth sits in the corner, hidden by
shadows, his eyes glow a bright
red. He c***s his head and smile,
bright white fanged teeth pierce
the darkness.
BERTH:
Me, what do you mean love?
KARLEE:
What do I mean? I walk in and you
just give up? No, you’re up to
something, I know you Berth.
Berth walks casually up to the bars, he rest his arms
through them.
BERTH:
Awe, don’t sell yourself short.How
do you know, you might be
that(pronounces "that" slowly and
ends heavily on the last "t") good?
Karlee snorts and crosses her arms tightly.
BERTH:
Sorry love, I am up to nothing.
(CONTINUED)
CONTINUED: 12.
KARLEE:
((GETTING ANGRY))
For one thing, I am not your love,
not any more...
BERTH:
You were at one time.
KARLEE:
...and two, if this is not your
doing, you know who it is.
BERTH:
Come back to me love.
Karlee bites back a laugh.
KARLEE:
My oh my, still holding on to the
flame I see, even after all this
time.
Berth leans into the bars. He bows his head and giggle
sheepishly. His head snaps up, his smile gone.
BERTH:
Now, who is stroking their ego,
Karlee. They are coming,...
Karlee’s eyes widen, Berth grins coldly.
BERTH:
And you know it, don’t you. Feeling
peck-ish are we? How long did you
think you could suppress the true
Karlee?
Berth turns around and sit back down in the corner, once
again fully hidden by the shadows except for his eyes and
fanged teeth.
BERTH:
Go now! The humanity you coven
stinks and I need to save my
stomach for the coming feast.
She uncrosses her arms and moves
closer.
KARLEE:
What feast, who is coming? Tell me
damn you!
Berth closes his eyes.
(CONTINUED)
CONTINUED: 13.
KARLEE:
I will find out!
She spins and walks off.
As she reaches the door Berth speaks up in a mocking tone.
Karlee stops as her hand reaches the knob.
BERTH:
I know you will, but will it be in time?( long beat) Love!
Karlee inhales a shaky breath and walks out the door.
END OF ACT ONE
ACT TWO
INT: OPERATION BASE CAMP-ONTARIO CANADA-MID-AFTERNOON
SUPER: A.P.C.I.R.-MOBILE LAB-ONTARIO CANADA
Mitch walks into a mobile lab, which is pitch black, except
the left hand corner.
RAMALA, (3050 years.) She sits crossed legged hovering a
foot above the floor. Her ebony skin glistens a blue hue,
emanating from the blue flame that dances around her body.
As she turns her head toward Mitch, she opens her eyes. They
go from swirling orbs of gray smoke to dark chestnut eyes,
she smiles a motherly smile at him.
He throws her an annoyed smile.
RAMALA:
Hello, Mitch my child. What can I
do for you.
MITCH:
I need clearance to speak to the
human authorities and divulge my
presence and umm...talents.
RAMALA:
Talents eh, I remember when you
called it a curse.
Mitch closes his eyes and purses hips lips.
MITCH:
That was 1910, I had only been a
werewolf for a couple of years, and
also I had hunting parties to run
from. Now days we werewolves are
considered cool.
(CONTINUED)
CONTINUED: 14.
RAMALA:
True. All right you my divulge your
(beat) talents, to Inspector Vac.
MITCH:
Thanks, I’ll go to him now, he
should have eaten by now.
Mitch opens the door and starts to walk out, Ramala speaks
up, he stops.
RAMALA:
He is here and he is about to tell
you to get off his crime scene.
MITCH:
Oh, boy!
He walks out and closes the door.
EXT: OPERATION BASE CAMP-ONTARIO CANADA-MID-AFTERNOON
INSPECTOR VAC,(45). A portly Ojibwa Indian man, his long
black hair,streaked with gray, is tied back in a ponytail.
His black eyes and from fixed scowl, shows he is a man who
doesn’t think to kindly of the abnormal. The bottle of
Pepito-Bismol, he always carries adds to that fact.
He steps quickly up to Mitch, his ruffled black tweed suit,
makes him look like a mad undertaker.
INSPECTOR VAC:
Who the hell are you and what do
you thing you are doing?
MITCH:
Inspector Vac,...
Inspector Vac c***s his eyebrow.
MITCH:
Yes, I know who you are. I am
Special Agent Mitch Persinger.
INSPECTOR VAC:
Special Agent eh? Boy you don’t
look old enough to get whiskers.
Mitch looks down at Inspector Vac’s hand, his eyes zero in
on the the bottle of Pepito-Bismol.
INSPECTOR VAC:
I have ulcer.
(CONTINUED)
CONTINUED: 15.
MITCH:
Well they are about to get worse.
Once again I am Special Agent Mitch
Persinger with the Agency of
Paranormal Criminal Investigations
and Recovery. I work in the Extreme
and Ancient Unit.
Inspector Vac lets out a hardy laugh, lowers his head.
INSPECTOR VAC:
Boy that is a new one on me.
He raises his head.
Mitch’s once smooth skin, is now covered in thick brindle
fur. His doe brown eyes have turned an ominous yellow.
MITCH:
Do I have enough whiskers for you
now inspector?
Inspector Vac gasps, steps back, pulls his gun and shoot
Mitch in the left shoulder.
Mitch staggers back and looks at Inspector Vac and growls.
MITCH:
What the hell was that for?
INSPECTOR VAC:
What are, what are you?
MITCH:
What! Your having a laugh ain’t ye?
Various creatures, demons and human form beings rush over.
Inspector Vac spins around wildly pointing his gun at all
how circle him.
MITCH:
I’m the werewolf ye just shot! Also
a Special Agent of the A.P.C.I.R. I
graft for your bloody government!
These are some of my colleagues.
INSPECTOR VAC:
This is a dream, just a crazy
dream-yeah that is all it is.
A thin Japanese woman TOSHIO(12-looking) in a blood-stained
pink and white kimono, walks over to Inspector Vac and
pinches him on the arm.
(CONTINUED)
CONTINUED: 16.
INSPECTOR VAC:
Ouch!
TOSHIO:
See you’re not dreaming.
Inspector Vac grabs his arm and
looks back at Mitch. His eyes
widen.
Mitch is now back in full human form.
MITCH:
Now that we got that out of the
way, would you like to know why we
are here? Or do you want to have to
explain why you shot me, to your
government?
Inspector Vac, mumble incoherently and bobs his head up and
down.
MITCH:
You have had a string of men’s
bodies missing their....
A shadowy figure, a PAETON, who calls itself DEE, floats
over toward Mitch.
Dee places its snake-like fingered hand over Mitch’s wound.
MITCH:
OY!
Mitch looks straight at where Dee’s head roughly is.
Dee blinks its solid white orbed eye and floats away.
MITCH:
As I was saying, missing their
testosterone, collapsed in bath
tubs, swimming pools and side of
lakes.
Inspector Vac nods his head.
MITCH:
I’ll take that as a yes.
BAXSTER,(31 looking). Walks up behind Inspector Vac, making
him step back,speaks up.
BAXSTER:
Do you want me to go call Karlee, I
mean if it is a succubus, she could
track it better.
(CONTINUED)
CONTINUED: 17.
MITCH:
No, she is a but under the weather
and besides she is not the only one
that can track.
Mitch points toward his nose.
Inspector Vac makes a loud audible gulp.
INSPECTOR VAC:
Say I lied to my nephew and you are
real, also, say I believe you, how
do we catch this thing?
MITCH:
Simple a trap.
SMASH CUT:
INT: KARLEE’S BEDROOM-NIGHT
In her flat, in a posh London neighborhood, Karlee tosses
and turn violently in her bed. Her red satin sheet lay
crumpled halfway on the floor.
Inside her dream, she is in a old fashion tub taking a
bubble bath, with a handsome blond, blue eyed, muscular MAN
3.
KARLEE:
Do you love me?
MAN 3:
Yes.
KARLEE:
Can you live without me?
MAN 3:
No
Karlee leans forward as Man 3 washes her back.
KARLEE :
Would you die for me?
MAN 3:
Yes!
Man 3 put his arm around Karlee, his dagger tattoo, on is
upper left shoulder is visible.
18.
INT: MAN 3’S BATHROOM-MORNING
SUPER: A.P.C.I.R.- CASE FILE 19299-008-8TH VICTIM
Inspector Vac surveys the crime scene and slowly pulls out a
card, given to him by Mitch.
He looks down at the body.
The MEDICAL EXAMINER 1 closes his bag and stands up
A blond, blue eyed, muscular man lay slightly sideways in
the old fashion tub. His armed crossed, as if, he had been
holding someone. A dagger tattoo is seen on the upper left
shoulder.
INSPECTOR VAC:
Is he like the others?
MEDICAL EXAMINER 1:
Can’t be positive, but my gut tells
me he is.
INSPECTOR VAC:
Damn!
Inspector Vac lets the Medical Examiner 1 go by and starts
to turn around.
Mitch walks in.
INSPECTOR VAC:
Oh, you, is it you know, the suc...
whatever.
Mitch smiles
MITCH:
Succubus, maybe. I’ll have the body
taken to the lab for further test.
Maybe we can hone in on who...
INSPECTOR VAC:
Now wait a second what is wrong
with our medical examiner? What am
I going to tell my captain? Oh
sorry can’t produce the body, a
werewolf took it!
MITCH:
Our medical examiner will be there
the same time as ours, just not
visible.
INSPECTOR VAC:
Oh, that makes me feel better.
(CONTINUED)
CONTINUED: 19.
Inspector Vac takes a swig of his Pepito-Bismol.
Mitch swipes the body with a hand held scanner.
Inspector Vac leans in.
INSPECTOR VAC:
What are you doing?
MITCH:
Scanning his field, for our medical
examiner.
INSPECTOR VAC:
Oh.
He takes another swing of his Pepito-Bismol. )
INT: LARGE OFFICE-NIGHT
SUPER: A.P.C.I.R- OFFICE OF KARLEE TRISIPHONE
Karlee sits at her glass desk, typing up a report at her
computer.
She starts to sway back and forth, her eyes become heavy as
she starts to fall sleep.
INTER CUT:DREAM
Images of dead men lying nude pass by like old crime photos.
INT:
LARGE OFFICE-NIGHT
Adam passes by the glass door of Karlee’s office and taps on
the door.
Karlee wakes up. She starts typing again.
Adam walks in.
ADAM:
What are you doing?
KARLEE:
(yawning)
Finishing this report.
ADAM:
Then going home and going to be
right?
She hits the print button
KARLEE:
After I see Glen in A.S. sir.
Adam looks at Karlee for a beat, grimaces.
(CONTINUED)
CONTINUED: 20.
ADAM:
Oh right, just go home before the
sun comes back up.
He go over to the printer and picks up the report, then
turns and walks out.
INT: HALLWAY-NIGHT
Karlee walks in front of the glass wall of the Herlethingus
Briefing Room.
She freezes, inside is a large board with 8 pictures of dead
men. They same men in her dreams.
She turns around quickly and starts walking.
Adam stops her.
ADAM:
Karlee! I thought you were going to
see Glen?
KARLEE:
Um, no I’ll do it tomorrow.
ADAM:
Oh, OK, wow you actually take my
advice.
KARLEE:
Funny, bye.
She walks away.
SMASH CUT:
INT: LARGE OVAL OFFICE-NIGHT
A knock is heard
A Herlethingus,named ARLENO(35), walks in to Adam’s office.
A large joker’s hat, slightly obscures his pasty red veined
head, solid red eyes and puffy red lips.
ARLENO:
Messueer, sir, I think you need to
see this. We have located the
Succubus’ signature.
Adam looks up.
ADAM:
Well how is it, have we seen her
before?
(CONTINUED)
CONTINUED: 21.
ARLENO:
Come with me.
Arleno spins and walks out.
Adam sighs and grumbles as he follows
ADAM:
Damn Herlethingus, they love to put
on a show.
INT:HERLETHINGUS BRIEFING ROOM-NIGHT
Inside a group of Herlethingus stand in a line shielding a
white board.
Adam closes his eyes and shakes his head.
ADAM:
Look, I have had a long day, no
tricks or theatrics, OK. Just tell
me straight!
All the Herlethingus shake their heads in unison.
ADAM:
(edgy)
Then be quick about it!
ARLENO:
(Offended)
Fine! Mr. Messueer, wouldn’t you
like to know. The name of the
succubus who causes Mitch so much
woe. Quickly you say and quickly
you’ll see. It is our very own...
The Herlethingus move away from the
board one by one in various
acrobatic fashions.
ARLENO:
Karlee!
Adam shakes his head vigorously.
ADAM:
No, no, I, I, I, wont believe it!
Run it again!
HARLEQUIN 1 chimes in, while in a hand stand.
HARLEQUIN 1:
I told you he wouldn’t believe. So
we made them run it three. But,
alas, the truth is plain as day.
Karlee is out for prey.
22.
Adam looks at Harlequin 1 with a murderous glare
SMASH CUT:
INT: BIKER BAR-NIGHT
Russian Police tape section off the men’s bathroom
SMASH CUT:
INT: KARLEE’S KITCHEN-DAY
Karlee wakes up and falls out of her chair. She starts
crying on the tile floor. Her succubus form reflects it’s
red skinned stainless steel appliances.
She gasps
KARLEE:
(Voice breaking)
No!
FADE OUT
MALE VOICE(O.S.):
Hey baby
FADE IN:
INT: ASTROLOGY AND SHAMAN DEPARTMENT-MORNING
SUPER: A.P.C.I.R. OFFICE OF GLEN RAINES-DEPARTMENT OF
ASTROLOGY AND SHAMAN.
Adam bursts through the doors.
ADAM:
Glen! What is going on?
GLEN(34) A black centaur steps from behind his desk. The
night sky is visible from all angles of the room.
Glen fixes his glasses, and looks at Adam, with a puzzled
look on his face.
GLEN:
What do you mean sir?
ADAM:
What, what do I mean? Karlee came
in here to talk to you!
GLEN:
No, sir.
(CONTINUED)
CONTINUED: 23.
Adam looks around, as other centaurs and shaman’s in various
colored glows, loom closer toward him.
ADAM :
What! Would some on tell me what
the hell is going on-now!
Glen looks around, his black mane
barely visible.
GLEN:
An ancient prophecy, the Blood
Truth, is coming. All those born
creatures of the night, that can
walk amongst the humans, shall
become one and allow evil to
spread. Those whom have betrayed,
either by magic or will, shall
revert back to their true nature.
END OF ACT TWO.
ACT THREE
INT: ASTROLOGY AND SHAMAN DEPARTMENT-MORNING
Adam, on shock, slows his speech down, the anger in his
voice dissipates.
ADAM:
So(BEAT),so you are telling me,
that all we have brought over are
going back?
His eyes widen, he stares straight at Glen.
Glen and all around him nod.
ADAM:
And, all the sudden truces,easy
arrest, the prisoners over a week
ago, that chant and now Karlee
is...
GLEN:
Yes, all is connected?
Adam lets out a huge sigh and c***s as cheesy smile.
Glen’s eyes widen.
GLEN:
Why are you smiling when all we
have done to rehabilitate all, is
coming undone.
Adam quickly took a solemn face and blushed.
(CONTINUED)
CONTINUED: 24.
ADAM :
Because don’t you see, Karlee
hasn’t gone to the other side
willingly, neither have the others!
Glen blinks and slowly smiles
GLEN:
We can get them back.
ADAM :
Yes! Now, the prisoners, they think
they got us, well I want a total
lock down-both magic and non-magic.
Also I want the Borns and Mades
separated, I don’t want them to
have any Mades joining them.
Adam turns toward the door and starts running out.
ADAM(O.S):
(yells)
Work on it!
The door slams shut.
Glen looks up toward the ceiling. His eyes scan the
universe-like ceiling.
He looks down, and notices all eyes on him.
GLEN:
Well we heard him. Shas, give me
all you know about the feast, no
matter how obscure.
A brown robed figure,SHAS, bows it’s head, and walks off. )
INT: PRISONER HOLDING CELLS
SUPER: A.P.C.I.R. OFFICE OF FUJITSU
FUJITSU(70ISH LOOKING), a short squat Asian man, with a long
white beards and unruly long white hair, in a thick
ponytail.
ADAM :
Fujitsu, I want all Mades and and
Borns separated also I want this
placed shut down. I mean tight as a
drum!
FUJITSU:
I should have known something was
up! Never have I seen such
(MORE)
(CONTINUED)
CONTINUED: 25.
FUJITSU: (cont’d)
meekness. Anything I should be on
the look out for, sir?
ADAM :
Any demons, and creatures that have
suddenly changed their patterns,
praying when they never have
before. Also listen for what
deities they are praying to.
FUJITSU:
OK, sir.
INT:INTERROGATION ROOM
Inside a gray tomb-like room a blue light shine straight
down onto a single black table.
Baxster walks in.
As he walks in and sits down a flame appears in the opposite
chair.
MICKY,(29), a skinny lizard like demon appears out of the
flame. Being very timorous, Micky the jumps from the chair,
and runs over the corner. He crouches into the fetal
position.
Baxster walks over slowly and sits on the floor next to
Micky.
BAXSTER:
Hey Micky, how you been man,
getting enough to eat?
MICKY:
I, I b-been OK. I have eaten today
i-it’s too dangerous to go outside.
BAXSTER:
That is why I used the fire
transport, what would you like to
eat?
MICKY:
Chicken please.
BAXSTER:
OK, so have you heard anything
about this Feast or the Blood
Truth?
He turns his head toward to Micky.
(CONTINUED)
CONTINUED: 26.
MICKY:
All I know is that it is a massive
gathering and some of the Heretic
Priest are preparing the revival
for them.
Baxster jumps up Micky jumps in surprise.
BAXSTER:
Sorry...
The door opens a girl brings in a large plate and a bag of
baked chicken.
BAXSTER:
...come sit and eat. So you mean
that the Heretic Priest haven’t
finished the prep work?
Baxster sits down, Micky sit on the opposite side and starts
eating.
Micky nods his head up and down, his mouth full of chicken.
Baxster runs his hand above the table, a map materialize.
BAXSTER:
Can you point to where they are?
Micky’s eye become wide, a piece of
half-eaten chicken falls from his
mouth.
Baxster nods his head.
BAXSTER:
Just blink if I am warm and squeeze
them if I am there, OK.
Micky slowly nods his head.
Baxster points at a high mountain region on the map, all the
while looking at Micky-no reaction.
He moves his hand toward a forestry area, Micky blinks.
Baxster slowly moves his finger left, until he reaches the
coasts.
Micky squeezes his eyes shut and swallows his chicken
loudly.
MICKY:
(Shaky Whisper)
Thumb.
Baxster looks down at the map
His thumb hovers over Doolbhturt Cave.
27.
EXT/INT: BASE CAMP-ONTARIO CANADA-RAINY AFTERNOON
SUPER: A.P.C.I.R.-MOBILE LAB-ONTARIO CANADA
Mitch opens the door to the mini-lab and is greeted by
Inspector Vac.
Inspector Vac has a grim expression on his face.
Mitch is taken back.
INSPECTOR VAC:
Well they are doing the autopsy
today I was wondering when your
M.E. was going to show.
MITCH:
Oh, she is there, you just can’t
see her.
Inspector Vac looks blankly at Mitch and takes a large swig
of his Pepito-Bismol, Mitch smiles.
MITCH:
I’ll explain in the car.
INSPECTOR VAC:
I rather you not.
MITCH:
(laughter in his voice)
I why not.
Inspector Vac glares at him for a beat then turns toward his
car.
Mitch follows him and gets into the car.
INT:ONTARIO CRIME LAB MORGUE
DR.SUAVE(45)suits up for the next autopsy, just as he puts
on his long green glove, Inspector Vac and Mitch walk in.
Dr.suave:
Ah, you made it and here I thought you were going to skip,
out on it.
He turns toward the table and sees Mitch.
DR.SUAVE:
Who is this, don’t tell me they
finally found you a partner.
INSPECTOR VAC:
He is a newbie-I, I’m showing him
the ropes.
(CONTINUED)
CONTINUED: 28.
DR.SUAVE:
Ah, OK. Shall we then?
A white haze in an almost human form comes into view on the
right side of Dr. Suave. It mimics Dr Suave’s movements.
Mitch bits back a giggle as he taps Inspector Vac on the
shoulder and points toward the invisible M.E..
Inspector Vac closes his eyes and sighs loudly.
DR.SUAVE:
I’m hurrying up.
Dr. Suave lowers his mask and adjust the microphones.
DR.SUAVE:
It is 08:00 Wednesday the 13 of
2008. This is Dr. Jake Suave, I am
accompanied by Inspector Andrew Vac
and...
He clicks off the the microphone and looks at Mitch
MITCH:
Mitch Persinger.
Dr. Suave clicks the microphone back on.
DR.SUAVE:
...accompanied by Inspector Andrew
Vac and Mitch Persinger. Autopsy of
the late Patrick O’Sullivan.
Patrick is a 32 year old Caucasian
male,2 meters and 95 kilograms. He
seems to have been a very athletic
and probably was quiet a ladies
man.
Inspector Vac rolls his his and looks down at his watch.
A smile slowly comes across Mitch’s face as he looks at
Dr.Swan and Inspector Vac.
The white mist moves around the table, Dr Swan, unknowingly,
follows suit.
The white mist goes through Inspector Vac.
Inspector Vac, slightly jumps and glares as Mitch with an
accusatory look in his eyes.
Mitch’s smile widens.
DR.SUAVE:
You OK.
Mitch start to laugh, but quickly stops.
(CONTINUED)
CONTINUED: 29.
INSPECTOR VAC:
Fine, just want you to hurry up so
I can get what I need and do my
job.
Dr. Suave turns his microphone off, sighs heavily and
crosses his arms.
DR.SUAVE:
Always the patient one, eh? I will
have your findings soon, but I need
to do it my way OK.
INSPECTOR VAC:
OK, I’ll come back later.
Mitch raises his eyebrow and quickly nods.
Both him and Inspector Vac leave.
INT: INSPECTOR VAC’S CAR-DAYTIME
Mitch’s cell phone-like device, he reads the screen and goes
pale. Inspector Vac starts weaving the car, trying to look
at the "e-mail".
MITCH:
Might as watch the road, regular
humans will see nothing but a blank
screen.
Inspector Vac straightens the car grumbling.
INSPECTOR VAC:
So can you tell me.
MITCH:
Um..
INSPECTOR VAC:
Well, you went pale so what did you
get?
MITCH:
It is just we have seen this
succubus before.
INSPECTOR VAC:
So, what am I going to tell my
captain?
(CONTINUED)
CONTINUED: 30.
MITCH:
Don’t worry, I will fix that.
EXT:MOUTH OF CAVE-DAYTIME
At the mouth of the Doolbhturt cave,Adam, Baxster and
creatures,disguised in human form, dressed in all black swat
clothing and gear.
They stand in a semi-circle.
BAXSTER:
So this is where...we were told to
go, maybe with any luck we can stop
it and....
ADAM :
Find Karlee.
Baxster turns facing Adam, a grim expression on his face.
BAXSTER:
You know we’ll have to take her in,
even if she was not under her own
control.
Adam sighs heavily and runs his hand through his hair.
ADAM :
I know, I know. I have already told
Fujitsu that all personal brought
in are to be housed separately.
Baxster nods his head.
BAXSTER:
Ready?
Adam nods
BAXSTER:
OK, let’s go.
INT: DEEP INSIDE CAVE
A torch lit tunnel is slowly swept by the swat team. They
come up to a side room. A black altar in the middle of a
blood filled moat.
Sudden flames surround the edge of the moat.
The sounds of spiked heels is heard.
The swat team slink into the shadows waiting for the attack.
KARLEE ENTERS
31.
INT: DEEP INSIDE CAVE
Karlee walks out in a snake skin dress, slit on both sides.
Her blond hair softly covers her shoulders. Her smoky,
seductive eyes, scan the group, as if, looking for prey.
ADAM :
Karlee!
Adam starts to run toward her, she raises her arms and the
flames rise higher.
A wavy image of her is seen.
In a seductive yet sarcastic tone she lowers the flames and
speaks.
KARLEE :
Ah, Adam, how have you been? You
will be pleased to know I did try
to stay good for weeks.
HERETIC PRIEST 1:
And she would have stayed good,
longer, if she hadn’t met up with
Berth. And, would have been able to
warn you, if she hadn’t went to
talk to Berth.
INT: PRISONER HOLDING CELLS-FLASH BACK.
Karlee stops as her hand reaches the knob.
BERTH:
I know you will, but will it be in
time?
Karlee turns her head and stares.
BERTH:
(Whispers)
(In Latin)
Revert
The middle of Karlee’s forehead, her "third eye" flashes
bright red, under her skin.
Karlee turns around, inhales a shaky breath and walks out
the door.
32.
INT: ALTAR ROOM
KARLEE :
So I must thank you, Adam,
for(beat) reminding me of who I am.
Adam breaths heavily and snaps.
ADAM:
And I must thank you Karlee, we
might have not figured out how to
stop this, if it wasn’t for you.
Karlee looks at the Heretic Priest
and laugh.
KARLEE :
Maybe so, but you can’t stop it.
ADAM :
We are here
HERETIC PRIEST 1:
But, this is only one.
One swat member is noticed in the left corner behind Karlee
and the Heretic Priest.
A hypnotic, gypsy-like music can be heard as Karlee slowly
walks toward him.
The swat member pretends to freeze and to be under her
spell.
Karlee inches toward him smiling.
KARLEE :
You want me to come to you.
SWAT MEMBER 1:
I want you to come to me.
She comes closer.
KARLEE :
You want me to touch you.
SWAT MEMBER 1:
I want you to touch me.
She reaches him and touches his face.
Swat Member 1 grabs her wrist, pretending to want to be
closer. He wraps his arm around her.
She turns around and lays her head, were his shoulder is and
closes her eyes.
He changes into a centaur. He wraps his arm tighter.
(CONTINUED)
CONTINUED: 33.
KARLEE :
You love me.
SWAT MEMBER 1:
No, sorry.
Karlee opens her eyes and tries to turn around, he tighten
his grip and puts his flame-gun under her throat.
KARLEE :
What!
She looks toward the the Heretic Priest, who is also in
custody.
Ramala walks in.
Adam, Baxster and the swat leave, with Karlee and the
Heretic Priest in secure shackles.
Five more shaman come in as they leave.
Ramala walks up to the edge of the altar. The other shaman
walk up and encircle the altar.
With their hands raised, clasped together, they start to
chant.
EXT:MOUTH OF CAVE-DAYTIME
As the helicopter lifts off, multi-colored streaks come out
of the mouth of the cave.
INT:PRISON HOLDING CELL
Karlee paces her cell, her porcelain white skin has taken on
a waxy yellow appearance. Though once a tall and, with a
proper posture, now has an elderly-like gait.
INT: PRISON MONITORING CENTRE
As Fujitsu, Adam and Mitch watch Karlee from the Monitoring
Room.
Screams echo throughout the halls.
Fujitsu shakes his head,
FUJITSU:
I don’t believe it, this is not
like her.
MITCH:
Not the Karlee we know, she is
under that spell. I hope we find
all the priest, spoil the coming
and bring her back.
(MORE)
(CONTINUED)
CONTINUED: 34.
MITCH: (cont’d)
Another bout of screams echo
throughout the halls.
ADAM :
Ramala said that we would know when
a altar was brought down, by their
scream of guilt.
FUJITSU:
That is not what I mean.
ADAM :
Then what?
FUJITSU:
Even before we implanted the
modifier, the first time, she
didn’t do...
He picks up the autopsy photos.
FUJITSU:
...she didn’t kill her victims.
Yes, she took their testosterone,
but not enough to kill him.
Sesame walks in.
They look at him.
SESAME:
Well, it has been over what four
hundred years. I have noticed, a
few others, they seem to be in
overdrive. For example, Chester,
the snake demon, how once use to
horde and play with his food, now
eats immediately.
MITCH:
So it is like they are going on a
binge or something?
SESAME:
Precisely!
They all look back at the monitor.
More screams echo throughout the halls.
MITCH:
Bloody hell, how many altars are
there?
(CONTINUED)
CONTINUED: 35.
ADAM :
Ramala and Shas’s group says they
are all over the world. I have been
coordinating with agents and Human
governments everywhere, to round up
the reverts.
MITCH:
Even, the non-aggressive? I mean
they are too much of a threat.
SESAME:
Not to the human population but,
think what they could be forced to
do.
FUJITSU:
Especially since no one would think
twice about them doing something.
ADAM :
Right,so it is more of a
protection, then an arrest.
Karlee falls to the floor.
Mitch goes down to her cells as she
starts to get up.
She pulls herself up and grabs a hold of the bars, looking
straight at Mitch.
KARLEE:
I may be many things, but a killer
I am not. You know that Mitch.
Mitch sighs
MITCH:
I know Karlee, I promise we will
get you back! But may I asked why
didn’t you come to us, why did you
go to Berth alone? I mean how could
you be so stupid.
Karlee looks down.
KARLEE :
I thought I could handle it alone.
36.
INT: IN FRONT OF BERTH’S CELL
Adam stands in front of Berth’s cell, a smirk on his face.
ADAM :
Thank you.
Berth growls and comes up to the bars.
BERTH:
I’ll rip your throat out.
ADAM :
Like I said thank you. You helped
us stop the Blood Truth from
undoing all we have accomplished.
Berth slinks back into the shadows.
INT: LARGE OVAL OFFICE
Karlee once again back to perfect health, walks into Adams
office.
KARLEE :
You wanted to see me.
Adam stands up and glares up at
her.
ADAM :
You are on administrative leave.
KARLEE :
What, I was cleared, Adam !
ADAM :
So, you are going on leave because
I am pissed off at you...
KARLEE :
But...
ADAM :
...and either you turn around and
take this I’ll make it an unpaid
leave, you get me.
KARLEE :
Crystal, see you in two months,
I’ll be working...
Adam leans into the table.
(CONTINUED)
CONTINUED: 37.
ADAM :
On nothing, do you hear me!
Karlee smiles widely, turns around walks just over the
threshold, she turns her head to look at Adam.
KARLEE :
...on my tan!
I really throughly enjoyed your screen play
You know how to write one, well set it up.
You change your layouts to fit each scene.
Which i only mean by graphics you know to set the mood of each character.
Your characters are awesome as well. they each had their own attitude
which is grand.
This is dramatic, and has action it.
I liked the language you used it's comical really
The angression and cussing format.
I liked this, i thought it was well written
full imagery i must say, i could actually see this.
A unique take on stories such as Buffy and Bewitched. I like the vivid Imagery, really helps to visualise it and I can just imagine what it would be like on the stage or as a t.v. show.
I wish this comment could be about how amazing your screenplay is. But before you freak and think it's bad...I can't read it. That's all. I didn't know how else I could alert you. I'm guilty of being new to this website. Anyhow...when I view it...the writing is all on top of each other.
I really throughly enjoyed your screen play
You know how to write one, well set it up.
You change your layouts to fit each scene.
Which i only mean by graphics you know to set the mood of each character.
Your characters are awesome as well. they each had their own attitude
which is grand.
This is dramatic, and has action it.
I liked the language you used it's comical really
The angression and cussing format.
I liked this, i thought it was well written
full imagery i must say, i could actually see this.