You are not a Special SnowflakeA Lesson by N. C. Matthews
When it comes to writing, you are not a special snowflake....or are you?
I've heard writers say this all the time. You are not special, you are not going to make it 'big,' you are not so great and so wonderful at what you do that publishers will want to snatch you up lickety split. Well you sure as hell better be. Because if you are not setting yourself apart as a writer then you sure better have one hell of an ego then.
As a writer, you are going to have to have something that will set you apart from all the other writers out there. Whether that be a fan-f*****g-tastic storyline that no one has ever come across before, a really unique style of writing, or even an ability to be the best weaver of a literary plotline in publication, you better make yourself into an individual snowflake somehow or else your work is going to get lost in a sea of all the other mediocre material floating around in publication land.
People are going to tell you that you are not the next Anne Rice, or Stephen King, or Stephanie Meyer, etc. Believe it or not, that is actually a good thing. Seriously, because who in their right mind wants to be like them? If I want to read someone who writes like Anne Rice, I'll go read Anne Rice, because anybody else is just going to be a very poor imitation. Same thing with Stephen King, Charlene Harris, Laurell K. Hamilton, Stephanie Meyer, etc. The most important thing you can do as a writer is write like you and stop trying to be like other famous writers. Stop trying to be "the next -insert famous writer's name here-" and just be you.
That's not to say that you will not have to abide by some basic English rules. Incomplete sentences are fine, in moderation. But don't expect an entire 400 page novel with nothing but fragmented sentences to suddenly make you famous. It might make you infamous...and very embarrassed if critics are talking about how poorly you write as opposed to what a fantastic story you have weaved. Misspelled words? Only if you are trying to imitate a Cajun accent during dialogue. Actually, about the only time misspelled words could possibly be excusable is within a character's dialogue with himself or another character. Feel free, however, to make up a word...if it gets used a lot in the story. And all those too/to/two and there/their and but/butts is not going to get you anything but a big, fat, red "rejection" stamp on the front cover of your manuscript.
Now about your ego. Yes, it pays to have an ego. Otherwise you are going to get stomped on by every writer, publisher, agent, critic, reader, editor, etc. that comes across your work. That is not to say that you do not have any room for improvement. Even Anne Rice is always pushing herself to the limits. After all, you are only as good as your latest novel. So yes, take criticism for what it is: constructive, deconstructive, or at-a-glance (see articles on Criticism: the Good, the Bad, and the Ugly) and adjust your work accordingly. But never take, "you are not good enough to make it in the publishing world" as a final answer. Seriously. There are tons of really bad writers who get book deals all the time. Just ask anyone who has ever read a lousy book. We've all been there. Ever remember picking up a book, start reading it only to think to yourself, 'How the hell did this jackass ever get a book deal?' This is where that whole "a good story is in the mind's eye of the reader" thing comes into play. Trust me, when you are a writer then there are two things that will happen, regardless of how good or bad of a writer you are. One, you will have someone out there who will absolutely love your work. And two, you will have someone out there who will absolutely hate your work. Your goal, as a writer, is to get as many people who like your work together, interested, and purchasing your work as possible.
Everyone thinks that they are a really great writer. And if, at the end of the day, your grammatical mistakes and misspelled words have went the way of the dodo and you honestly do not think that anything could possibly make the story better, then sure, think that. Just don't expect others to think it. Because if you are going to boast about how great of a writer you are, then you had better be able to back it up. Now stop and think about this. If you are going to start selling books/ebooks, then you are basically saying to the world, "Here, I wrote this. I think it's pretty good. Read it and tell me what you think." Yes, when you put your work out there for others to read, you are inviting them to give you feedback whether you want it or not. And if you think that that is not how the publishing world works, then you are sadly mistaken and maybe even a bit naive. It's time to put on your big boy pants and smell the coffee. Even books that are sitting in the top spot on the New York Times Bestseller list have critics bashing them all the time. It's their job. Your job is to decide if what they say has any actual merit to it and adjust your work accordingly. Better yet, set out to prove the nay-sayers wrong by writing something even better than your last work. Nothing says, "F - U!" like a few thousand fans telling critics that they are idiots.
Now, all you snowflakes go out there and make something of yourselves. After all, being special means nothing if no one else knows it.
Added on October 20, 2010
Last Updated on October 20, 2010
N. C. Matthews
AboutMy pen name is Nicola Chey Matthews. I have been writing for over 28 years now. I first began writing when I was only five years old. I wrote my first novel at the age of 13, and had attempted 2 ot..