One: Write What You Know

One: Write What You Know

A Lesson by Belator Books
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If you don't know it, research it until you do.

"


"Write what you know... please."

In my high school English class our borderline-highbrow teacher would feelingly repeat the above phrase after giving each assignment. "I am thoroughly tired," he would continue, "Of reading of spacemen and dragons and soldiers and knights who are baseless shadows of what they could be."

Therein lies the juicy meat of this particular point: writing some slip-shod, ill-researched poor example of a book not only tortures the reader but flings a blot onto the face of Literature, itself. Well-read audiences groan upon reading tripe; their lament is not only for the wasted time but for the literary crime of ruining a character's potential with ignorant writing. When a writer knows the subject and characters of his/her book well, it shows. Likewise, even the most rudimentary readers can discern when said author is talking through their hat, or "writing by the seat of their pants". Even science-fiction writers (and fantasy writers) must research weaponry/scientific details and read voraciously of fellow and past writers' work in order that their book comes off with a measure of credence. Writing what you know is the main difference between a good book and a laughingly terrible one.

There are a variety of ways this can be accomplished; the easiest by far is personal experience. Writing your own story (or that of those close to you) allows one to grasp and pen accurate detail, correctly quoted responses to questions, the nuances of human expression and scenes can be thus painted with startlingly-familiar shades. My first fiction novel was based on the lives of real people, though mixed around a bit; pieces of the lives of one set of friends and family were selected and attached to those of others, well-spiced with carefully-researched details.

In many cases research can stand in where personal experience fails. For instance, I spent a solid month just counting out blocks from one location in my book to another, estimating--using different circumstances and Google Maps--just how long it would take the characters to get from point A to B, as well as discovering what state they'd arrive in. Some long-standing natives of the city mentioned were consulted and I was elated to find that the research I'd done was accurate. Said folks were also pivotal in providing local euphemisms to place the scene without having to constantly refer to the city's name.

Standing observation is the next method in line to aid in 'knowing' a scene or character, and by it have many good details enhanced past books. Such activity can be as simple as sitting on a park bench and watching folks walk by, taking note of their expressions, body language and clothes. This method is a bit more difficult than personal experience and research, as the observer/writer is left wondering about the lives of the people in the witnessed scene. A goodly amount of creative guessing is then needed in order to 'fill in the blanks', but that is part of the fun of writing and helps the observations notated translate into character personality, scene details and real actions.

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Comments

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Posted 1 Year Ago


I used to go to a local hotspot... frontier restaurant in Albuquerque for inspiration when I could not think of anything to write. I would observe all the people and I learned to tune in on specific conversations to the exclusion of others around me. Invariably, something someone said or did would inspire my next work. Thank you for sharing these Gems of wisdom. Wolf_Lord ,'', ^@@^ ,'',

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Posted 1 Year Ago


My mom, who's major was in English and who was a reporter for several years always says this.

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Posted 1 Year Ago


Good helpful article and also good points too.tnx for sharing it with us NYC 1

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Posted 1 Year Ago


A very helpful article and a very nice points. Thanks a lot to share it with us.

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Posted 1 Year Ago


Verfassen Sie, was Sie wissen.

Das ist vermutlich die meisten irreführende Beratung jeder Autor erhalten kann. Es fertigt Unterteiler in des Autors Psyche zwingt gefälschte Internierung der Verwundbarkeit aufgezogen. Welche Anzahl von Gelehrten, hören diese vier Worte, die Hoffnung verloren haben? Diejenigen, die ruhige Fahrt, ordentliche - anstrengend - Erfahrung am ehesten das Gefühl, das nichts Interessantes herausstellt; Sie beschränkten, dem Komponieren innerhalb der Parameter des eigenen Lebens, die Mühe, warum? Ein Überblick der Kleidung wäre so faszinierend.
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Posted 2 Years Ago


I've heard the saying before. How long are you supposed to write what you know before repeating yourself because all you know is what you know?

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Posted 2 Years Ago


No wonder Socrates did not put pen to paper.

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Posted 2 Years Ago


I have different topics to write on but I am scared that ppl won't like it..what should I do??

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Posted 2 Years Ago



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Posted 2 Years Ago


Good advice. Taking emotions you know intimately and infusing them into the character you're creating in whatever place or time, space or reality you choose.

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Belator Books
Belator Books

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About
The Styles are two fiction writers with day jobs. Married 17 years, 4 children and an organic garden. Twitter: @BelatorBooks & @writerlrstyles WordPress Blogs: www.lrstyles.wordpress.com www..