Alpha Readers Forum Feedback on my first 10 scenes
Feedback on my first 10 scenes9 Years AgoI have someone outside of WC who read the first 5 chapters (first 10, on here) and had some suggestions and thoughts about my story.
Here's what he sent and what I sent back to him. If you guys have any feedback or anything that can help me out in making this story work a little more effectively, please toss in your input! -I think the biggest problem this draft needs right now is a little less focus on the plot and more on character. Tele is very one-dimensional right now. She's looking for safety, trying to find a way out and a way to survive. I read a story or a book for characters and for surprise. Right now, I don't think these chapters have any real surprise. Give Tele something unique about her character right at the start. A unique voice goes a long way, and, right now, I feel like right now, she has the same story that I've read before from other dystopian young adult novels. She lost everything and is now given an opportunity for adventure.
-The idea of a prophecy always makes me skeptical right off the bat because of the sheer amount of prophecy-based series we've all read in the past decade or so, namely Harry Potter and The Inheritance Cycle. The idea's been done quite a bit, and the only way to make another one work is if there's something all together different about it. Just think what you would say to pitch your book to an agent or publisher and think about whether the same pitch could be used for any of the huge book series that everyone has read.
-One thing that really bothered me throughout was the names Navid and Tele(NAY-vid / Nah-VID / NAH-vid / Nah-VEED; TEL-ee / TEL / TEEL / TUH-lee...?) I have no idea how exactly to pronounce these, so I tripped up every time I came across one of them. Names only serve to give an easy label to the characters, so if your readers don't know how to pronounce them, it defeats the purpose entirely. This is obviously a fairly easy change, though, in my opinion, really necessary. If you want a unique name, use a name we have in our world and spell it strangely or use something that clearly only has one possible pronunciation. (Names like Kadin, Orvus, Ry, Telleo, Siry, etc. are all unmistakably pronounced and smooth to read.) Good point. I'll see what I can do on this. Many of my names are based on Indian names as India is fascinating to me. I can definitely do better in this arena. -Have you considered writing this in first-person? It might help to give Tele a distinguished voice. Is she sarcastic? Is she arrogant? Intelligent? Logical? Naïve? Apart from personally disliking reading novels in first person (in general unless the voice is really really good), I'm not sure I can pull it off due to having 3 primary viewpoint characters and 3 other viewpoint one off viewpoints planned. -I can't real have much of an opinion on the plot really right now other than to say that I feel like you might be trying to throw too much into the first 78 pages. I might consider slowing down a little bit more, and using a few scenes that are a little more irrelevant to the Seers and the failure of Desera to give some insight into Tele and Navid's characters while also showing us exactly what kind of world they live in. This is really good to know. I was concerned that the pace was too slow... but now I think it has more to due with the other issues you pointed out (there isn't a definable hook form the start, Tele feeling one-dimensional, etc.) |
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Re: Feedback on my first 10 scenes9 Years AgoOn character development:
It is the most important thing there is in writing. No two ways about it. To appeal to an audience (especially a YA audience) you need to make the reader want to be the character. This is especially hard if the character is closed off or sullen. Can you make me want to be her? Why would I? I suggest an experiment. Write 500 words that is not in this current storyline. Tell us a scene from before her family was killed. Don't worry about plot or surprise but follow Tele around for an afternoon and make us love her. Let us see that before you plan a rewrite. On prophesy: I wouldn't sweat it. Lots and lots of stories have prophesy in them and many will after you're done. As long as you don't fall into the usual cliches of how it is used, you'll be okay. On names: I wouldn't sweat it, personally. Readers can cope with unusual names. On first-person: I love writing in first person. It can be a turn-off for some readers, but if you're not comfortable writing in that style then don't even try it. It does limit your story options and your discomfort may show through. On plot: I'm a little conflicted on the plot. There have been opportunities to get us worried about where things are going, but the hook isn't really set. Two books have been lost and "bad things will happen if they fall into the wrong hands" but us readers have no idea what those bad things are. When will we find out? If this is important enough to drive the story forward, then I'd like the story to show me that. There's a wide spectrum between "Tele goes to the mall to buy a pack of M&M's" and "Tele throws the ring of doom into the lava pit to save all of humanity," if you know what I mean, but us readers still don't know where on the spectrum this story lays. Hope that helps, but my advice is worth all you paid for it! |
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Re: Feedback on my first 10 scenes9 Years Agothanks for bouncing some ideas for me.
Cher (speedyhobbit) has been doing a lot of flash fiction using her characters and I really want to start doing a few short pieces to help me flesh out these characters a bit more. I'm sure they're helping Cher. Thanks for the excellent idea. I'm going to do that and post it. As for plot, I'm a little worried that (within the first few chapters) I'm not giving enough background info about the conflicts. I'm trying to avoid exposition and sprinkle it in. However, now I'm worried that I took it a bit too slow. I had hoped that I would have pretty much all the important pieces in place by the time I hit my first viewpoint change. |