The Native: A Dark Diorama

A presentation of identity-preserved in modern experiences of intercontinental commercial dance.

A vignette or diorama about enduring group-dreams, inspired by the film Smoke Signals. 

----

====

Georgetown University was the site of a great study about the legacy of Native-American art in American society in this new era of media-driven social presentations (e.g., Facebook).

The 'captain' of this study was Amlan Satan (code-name: Storm-Shadow) who'd been working as a guerrilla-intelligence infiltration agent with Interpol-relations through Georgetown's contacts to destabilize blood-diamond piracy highways stretching into already economically-complicated (and sectarian!) Northern Ireland (United Kingdom).

SATAN (Amlan): We're looking into 'globalism windows' featuring imagery of social/ethnic groups surviving the 'sunrise' of hell.

Storm-Shadow was intercepting a blood-diamond shipment by the corrupt Euro-baron Goldfinger which was linked between British Columbia (North America) and Northern Ireland (United Kingdom). For this special Native-American 'art study' at Georgetown, Satan (Amlan) was re-presenting modern windows into traditional/authentic Native-American women's fashions in North America as a market-sign of the idealization of 'negotiated history' of peoples enduring economic hardships...and political alienation.

Now, Storm-Shadow had liaisons with the new underground world-group known loosely with Interpol-relations as the 'Foreign Irish Republican Army' (F-IRA), composed of Catholic political advocates of socioeconomics conditions reforms/improvements in sectarian Northern Ireland (UK) who weren't necessarily Irish but favored market/commercial approaches to the alleviation of economic hardships endured by social groups (ethnicities) who'd lived under minority-status. Storm-Shadow (Amlan Satan) used his F-IRA and Interpol-relations to create social dialogue committees devoted to the celebration of ethnic preservation through commerce, such as the Mohegan Sun casino in New England, owned and operated entirely by Native peoples who'd now been 'sequestered' in North America to the status of minority.

STORM-SHADOW: We're using special 'comic book avatars' for our commerce-improvements campaign in America/Europe.

Now, it was known in troubled Northern Ireland (United Kingdom) that Irish-Catholic minority population and the British-Protestant majority population (descended from generations of English colonial settlers!) had lived alongside each other for decades with certain socioeconomics conditions disparities, creating a UK need for a new inter-religious 'vision' of affirmative-action employment assistance program policy reform to cater to the under-class for a better idea about shared civilization iconography regarding 'architectural' diamonds.

STORM-SHADOW: We'll be showcasing Native-landscape art from continental history in this Georgetown presentation/study!

Few knew the sharp-footed Storm-Shadow was also the double-life real-life 'James Bond' in the United Kingdom, intercepting blood-diamond piracy-traffic controlled by new era ruthless barons like Goldfinger.

STORM-SHADOW: We have one exhibit in this Georgetown study devoted to kids-views on Native-life ruggedness!

CRITIC: The problem with pluralism-advocacy in this new era is that there's a certain obstacle to Westernizing dialogue.

Storm-Shadow nevertheless remained hopeful that the goal/purpose of this historico-cultural study about ethnic-identity presentation through art at Georgetown (USA) would be 'facilitated' by art-views and images about the enduring legacy of 'metaphysical' drawings about Native-American folklore, storytelling, imagination, and yes, ghost-stories for Halloweentime.

STORM-SHADOW: There's a distinct edge in modern commerce favoring marketing of 'society' symbolic tools/toys.

The history of Native-America in Western civilization is indeed dark. Native peoples of various tribes/nations such as Lakota and Mohican/Mohegan have endured various levels of extinction-threats and endure with promises of commerce-bridges to peace, which new era 'social advocates' such as Storm-Shadow of F-IRA/Interpol work with through modern continental institutions like Georgetown to create a harmonious vision of enlightening doctorates.

====

"Money is everything" (Ecclesiastes)