Lotor: 'Doc Hollywood'

A prince-of-media is in a 'world-axis-game' of customs-defiance, requiring absolute intuition regarding tabloids-declaration.

A re-presentation of civilization (modernism) imagination, inspired by Celebrity (Woody Allen). 

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The world was somehow different because of the age of media/networking, and customs were somehow more 'complex' because of the 'silent language' of lingo-driven capitalism (e.g., Starbucks, WikiLeaks, Bloomberg, etc., etc.). There was a new 'global aesthetic' catering to a special intelligence regarding socialized distancing, dance, dollars, and perhaps...deception.

In this climate, there was a new 'axis' of intrigue, and it involved one prince-of-commerce/media named Amlan Satan who'd been likened to a prince-of-darkness or absolute aesthetics-reign named Lotor, a defiant man of intellectual properties (e.g., ActiVision, MTV, Facebook, Micro-Machines). The other 'set' of this axis-dualism was the rest of the entire world --- comprised of all of human civilization of relevant power-membership in the dominion of 'Lotor' (Amlan Satan) --- Euro-models, NASDAQ tycoons, movie-stars, priests, politicians, and even pirates/criminals.

AMLAN SATAN ('Lotor'): I consider myself a pure 'nerdist' of globalism-net intuition, and I champion the trophies of democracy!

'Lotor' (Amlan Satan) boasted a very excellent driving ability, and people considered him simultaneously a 'mocked chauffeur' of modern capitalism ("a false Richie Rich") and a Racer-X of pure Wall Street acumen ("a real Captain Hook"), which is why the entire world was challenging him in this 'modern game' of net-oriented imagination. Who would win --- Lotor or the world? Lotor (Amlan Satan) meanwhile loved/boasted his savvy road-gripping/engine-enhanced Saab brown sports-turbo vehicle, which he drove around (with great diligence/speed) around La Jolla (California)!

AMLAN SATAN ('Lotor'): If people liken me to a 'prince-of-darkness' or capitalism-fatcat, I shall champion true ambition(s)!

This was no 'average game' symbolizing modern-world intrigue/intuition, for Lotor would be challenged in a manner of infinity. In fact, those who challenged his dominion --- all of humanity --- created a special 'arena challenge' to test his claimed mettle of socialized distancing confidence and labor. Could Lotor (Amlan Satan) carry on and rule his empire of media-work(s) while being challenged in this 'world game' by the other end of this game 'axis' --- the entire world? This other axis, the whole world, posed a direct net-challenge to the 'dark prince' of media. They aligned themselves as Devil's Advocates of his pure will to rule with loner-diligence.

AMLAN SATAN ('Lotor'): I shall continue to reign in my castle of media-dreams and take this 'game-challenge' as defiance.

The 'game challenge' was simple, stark, strident, and strange --- Lotor (Amlan Satan) would have to be the media-doll of the entire world. What's a 'media doll' in such a 'world' game, you might ask? Lotor was challenged to serve as a virtual courtier, while he'd receive many romance-starlets/models for his empire as 'queens' of his media-events, but he'd have to 'fight' the net-scandal/tabloids that each woman he'd courted was betraying him with...another man!

AMLAN SATAN ('Lotor'): Me thinks this 'world game' challenge is like the Tree-of-Life, a messaging of defiance for dollars!

Lotor (Amlan Satan) came up with a brilliant plan to compete in this strange media-driven 'tabloid' game propositioned by this 'axis' of defiance to his media-imaginarium/reign. He re-presented a key work of customs-consciousness in world-axes, The Age of Innocence (Edith Wharton), to offer up the retort, "Can a lone man in the modern media 'matrix' purport to conceive of 'defiance' in a game-scenario of customs-driven 'diplomacy' (for dowries)?"

You see, folks, this prince-of-media, representative of modernism intuition, 'Prince Lotor' (Amlan Satan), managed to 'reverse' the table of defiance by returning the mirror-axis of customs-driven challenge(s) (with tabloid-driven turbulence) by returning a statement about the 'basic' human response(s) to pure socialized distancing. In other words, because the media-world was customs-driven, the cunning Lotor (Amlan Satan) retorted this world-axis 'game' challenge by returning a 'customs' language --- "There is ironic innocence in drama-scenarios of conceived dollars!" This was almost like American information distancing.

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"Money is everything" (Ecclesiastes)