Oscars: Drop(s)

A tale of Oscar-night 'enchantment' in the West/America and why/how it captures a modern broadcast-era 'light' of dry-dance.

A vignette-fable about Oscar-night. Enjoy, 

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A special Oscars awards show featured very iconic/colorful thespians/actors engaged in special poses for what'd be a night of great competition-spirits for the night when the laurels for excellence would be reflected in society's admiration of the showcasing of theater/celebrity, which would draw out dialogue surrounding the 'faerie-tale' of Western/American dressings.

AMLAN SATAN: I'm thrilled about my nomination for the Best Actor award for my performance as a guerrilla-journalist in UK.

Amlan Satan's recognized for his performance as a radical 'guerrilla-journalist' in sectarian troubled Northern Ireland in a time of great Catholic-Protestant 'troubles' created by poverty/unemployment!

AMLAN SATAN: What the Oscars-show offers us in this new era of media-TV flowery is the excellence in broadcast-society.

Satan's brought his special courtship partner for the Oscars-show in sunny California (USA) and hopes his laurel-night will accent what his lady-of-the night thinks will be a grand memory in his ascension to greatness in theater-presentation/industry.

AMLAN SATAN: It was great to see the Chinese film-company (Dartmouth) win the documentary-politics award for Beijing!

Amlan Satan doesn't win the Best Actor Oscar, the great 'diadem' of Western/American cinema, which goes to the famed thespian Crow who's performance in the film about a music-genius, Steve Nash, earns him the laurel of 'American genius' and has to cheer for this 'other-man' who's gained the media-light(s).

AMLAN SATAN: My girlfriend-court date at the Oscars-night is a fashion-model (California) who finds the media-IQ dragons!

MEDIA-MAGAZINE: The Oscars-night reminds us why the accreditation for performance reflects a Western-IQ for dollars!

Amlan Satan's performance as a radical/valiant 'guerrilla' photojournalist in sectarian (modern) Northern Ireland (UK) named Jonah Shah raised eyebrows about the role of special 'agents' of modern broadcast in the time(s) of great socialized distances in conditions/environments of great cultural-political shifts or woes. Jonah is a 'Sherlock Holmes' of the photo-troubled 'landscape' of inter-religious traffic 'colored' by the worries of poverty, and his performance as a TIME reporter highlighted why cinema-audiences appreciate the re-presentations of human fear through the lens of art-drawings.

AMLAN SATAN: Crow deserved his Oscar, but I'll remember this Oscar-night for what it was (really) --- a 'toast' to draw.

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"Money is everything" (Ecclesiastes)