Euro: Diana/Selina

Prince Satan (Amlan!) generates pages/pages of chess-stalemate journal notes for an iconic gender-media (sports!) rivalry write for commerce-equivalence.

A toast for the iconic pro-women's sports imagery surrounding the 'legendary' Graf-Seles rivalry and inspired by the media-age 'personality-romance' film Wimbledon (Kirsten Dunst). Thanks for reading (and Happy Cyber-Monday!), 

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A special Porcellian New England chess-society (cyber) was composing a special Graf-Seles women's tennis rivalry exposition for a Euro-ideation on the nature of Selfie-culture/social-media and what it'd reveal about the 'quality' of human race capitalism/media energizers alongside his cyber-network peers/friends (wow).

This cyber-chess 'Earth-prince' (Amlan Satan) wished to cast this special world-fitness sports-media rivalry 'diadem' (Graf-Seles rivalry) as 'stalemate-excellence' in gender-proliferation in the world of sports-markets, for Euro-broadcasts and social-media commentary/uploads (e.g., YouTube). Amlan Satan studied the sheer domination of Steffi Graf in women's tennis and in Grand Slam tourneys like Wimbledon and the French-Open prior to the entrance of the great rival Monica Seles who shattered the women's pro-tennis myth that there'd be a 'predictable' Goliath ruling the books of media-broadcast story for gender-journals (wow). This rivalry created an unforgettable Euro-title (1992 French-Open final).

Graf was ranked #1 for a long time and defeated all the greats of her time, including contemporaries before Monica Seles 'splashed' onto the scene and finally offered the media-world of gender-sports a 'special twist' in the nature of competition-chess stalemate storytelling conductive for capitalism defenses in the Western-world (ha). The Graf-Seles rivalry, in fact, offered the media-writers great success for gender-IQ and chess-thinking for capitalism-markets in the area of emerged media-entertainment consumerism and social-media activity for human fitness. Some might even suggest that the Graf-Seles 'rivalry' which created fantastic iconic championships/games, cast the two greats of pro-women's tennis as something like comic book heroines for the Earth race (wow)!

AMLAN SATAN: The 'quality' of post-9/11 age commerce-media journals reflects the 'chess' of choreographed social enterprise.

Maybe Satan would even 'think' Wonder-Woman (DC Comics), the lasso-heroine of ancient-myth proportions, was like Steffi Graf, while Catwoman (DC Comics), the roof-prowling night-stalking slinky 'vigilante' girl of Gotham City, was like Monica Seles herself. Would Wonder-Woman/Catwoman ever be able to work alongside each other or in some capacity for shared post-9/11 age commerce-media defenses (perhaps even for 'Euro'-exchanges)?

WONDER-WOMAN (Diana): Euro-chat requires 'real' fury from the old Earth, and you can't vanguard it with vigilantism.
CATWOMAN (Selina): Sure I can; in fact, the 'quality' of social-media civics today is an 'imprint' for citizenry-wrought Ego.

AMLAN SATAN: I've generated pages/pages of chess-stalemate notes for Graf-Seles (Wonder-Woman/Catwoman) for eggs.

The point of this gender-diadem 'commerce-media' exercise is that the iconic/reflective Graf-Seles rivalry revealed something in the form of extra credit regarding the 'quality' of Euro-eggs. Isn't that a miracle?

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"Money is everything" (Ecclesiastes)