American A-

Portrait of 'American-handwriting' (in the post-9/11 era Homeland) drawing a 'face' of a social media 'friendly' wish (for an English doc).

A 'diorama' of the quality of American capitalism ethos/storytelling, drawing on the matrix-themes from the excellent systems-handshakes film Capitalism: A Love Story (Michael Moore), which I think you'll like (and thanks for reading!), 

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Amlan Satan had become an educated capitalism storyteller on the cyber-highway in the post-9/11 era Homeland and networked with like-minded intelligentsia invested in the modern commerce-life Ego securities tied to fortune superstitions/confidence (for the 'history' of Western-world hyperbole).

MISTER SATAN: "The reference for media-drawn 'personality' and images for the arts/sciences of commerce-life Ego linked fortune activities/news concerning various post-9/11 era Homeland issues like blood-diamond traffic, foreign terrorism, Wall Street dilemmas, and the 'governance' of magic for capital invokes in us a special 'hue' of the quality of treasure's hand."

The history of the United States, from the days of Euro-colonialism 'hardships' to the expansion of the territories of the proverbial 'New World' to the stories of immigration/industrialization to the advent of serious commerce-highways and securities/policework and the birth of computers/media for storytelling spoke to a Western 'chess' ideation of the 'color(s)' of purified hospitality architecture. America had emerged as Earth's 'big-brother' of politics/fortune handshakes and highness (for the Ego/hammock). This placed this Earth-prince of capitalism-storywriting (Amlan Satan) as a modern cyber-age 'messenger' or 'artist' of the complexity/intrigue surrounding a media-image drawn 'negotiation' for linking fortune-consciousness...with 'serious' staged headiness.

Amlan made a special urban-vigilantism 'comics-doodle' capturing the modern age socialized Western/American 'fascination' with wrought adventurism in developing forms of traffic complexity and even the 'troubles' of negotiated continental handshakes (wow). In fact, this youth-minded comics-doodle, depicting an eccentric 'masked' vigilante and his 'beautiful' female ally/confidante, exemplified some of the storytelling 'metaphysics' in the Homeland concerning the detective(s) of 'sportsmanship' distances to real class-holograms (hmm).

MISTER SATAN: "After enduring the Pearl Harbor reminiscent 'trauma' of 9/11 in the Homeland, the American public craved new forms of superstition-oriented social-media 'friendly' hospitality-psychiatry (for education!)."

GIRLFRIEND: This is a 'stranger' coincidence for us to meet in Atlantic-City.

SATAN: Excellence; the fortune-symbols of this game-town is pure American.

GIRLFRIEND: I've been a resort-center hostess for years now.

SATAN: The Homeland hospitality-market (industry) is all about the Ego.

GIRLFRIEND: Maybe you'll write a novel about an American hardship.

SATAN: That's novel; maybe a fable about a cartoonist-waitress finding 'American' heads!

GIRLFRIEND: That's Atlantic-City (ha).

Years later, we find this Prince of the Homeland married/settled in New England, cheering his favorite media-celebrated college-athletics 'program' for social media writing, having already won the Pulitzer for his searing capitalism-superstition novel (Bartleby's Diner). Is this an 'American' portrait of the 'personality' in commerce-life Ego home-work (for a 'lucky' scholarship)?

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)