American-Image: Horseman/Headless

Prince Amlan Satan invests in capitalism-chess/intelligence but must discover a 'cooler' form of Homeland nerdism.

A world-optimism fable inspired (loosely) by Grosse Pointe Blank (John Cusack). 

DISCLAIMER: This work of social fiction may contain imagery (or references) used herein with no commercial/legal ties to any representative or 'associative' person(s)/body and is therefore cast as purely a 'personal' exercise in creative hyperbole (for 'open' dramatics). 

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AMLAN SATAN: As a blood-diamond infiltrations agent in the post-9/11 era Homeland, I consider my newest quest for the Headless-Horseman for cyber-writing/lore reflective of a 'cooler' social-media culture flowery surrounding the personality and storytelling behind 'American' Ego.

Would this prince of the Western-world find the right-stuff in the expressions of blood-diamond work-retirement to find a quieter 'niche' in social-media culture and cyber-storytelling, perhaps invoking the 'civilization-image' of traffic-life and not so much the 'mystery' of capitalism-race defenses requiring dangerous forms of chess? Well, Prince Satan considered this idea quite lovely, and despite inheriting his princely-fortunes and then investing in 'James Bond character work' in the West, he was (now) invested in the confidence of mythology and not terrorism.

AMLAN SATAN: The James Bond man had wandered into an abandoned warehouse where he was confident he beheld the image of the Headless-Horseman, but what was this old-era 'specter' doing haunting an abandoned American corporation-tied warehouse, and would our protagonist find the right 'image' of peace/distance from his old life of dangerous work and 'see' this Horseman of myth as a shocking 'welcomed' imagination for a more 'imaginarium' driven capitalism-race expression (for all)?

Well, the Prince had found his 'niche' after all, and he considered his newfound fascination for cyber-writing and social-media 'energizer' optimism in the post-9/11 era Homeland a moving drawing to collect sports-capitalism media/market 'trophies' or fanfare-conscious 'treasures' of the American Homeland, including his new 'fantastic' and 'superior' collection of pro-football spirits American cheerleader trade-cards, symbolic of a society Romanticism tied with 'modern' headiness (wow).

AMLAN SATAN: Our James Bond character hero had found another challenge/game in the post-9/11 era Homeland, in the form of a youth-doodle of a consumerism-parody Xmastime 'avatar' he erected on social-media named "Evil-Elf" for an even deeper 'examination' of the nature of capitalism-race hyperbole or superstition or lore, and perhaps this 'gent' of action would reach a sage 'folk' meaning of the quality of American's handshake.

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)