A Philadelphia Artist

A Story by Abishai100

A stranger promise of a Western highness delivers a cool street-tale 'image' of wrought post-9/11 era heroics in hues.

A fun adaptation of The Saint (Val Kilmer).

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The City of Brotherly Love (Philadelphia) is a where a migrating diamond-heist man planned daring raid of a blood-diamond baron's vault-room box (with Interpol-relation)for a swap with glass-beads for a social-media message about insured treasure heights. However, this diamond-man was more than just a Phillies-Eagles fan or Philadelphia visitor but a real artist with a modern Earth-city 'vision' of the excellence of post-9/11 era urban vigilance/vigilantism headiness.

The Philadelphia Artist is none other than Amlan Satan, tied with various gem-insurance chess-infiltrations works (with Interpol-relations) in places as varied as British Columbia and Swaziland, and this Philadelphia 'experiment' concerned a modern investor/consumerism commentary interest regarding commerce-life confidence and securities in the post-9/11 era for Western-American 'personality' in treasure handshakes.

BANK MANAGER: This guy wanders in out of a (painted?) taxi and dressed in a harlequin/clown get-up claiming he needs media-shots of Baron Goldfinger's vault-room (box) and reveals his theater-prop water-gun is filled with acid and burns a hole into the box and swaps the Goldfinger-treasure(s) with glass-beads and leaves a note with the guardsman, "Insured diamonds for Philadelphia media is all the height for Halloween commentary for consumerism-festivity traffic drawing a 'Goldfinger' hourglass."

Apparently, the Philadelphia Artist (Amlan Satan) was conducting his own Western-American traffic confidence 'examination' in the form of a new millennium cyber-homeschooling 'vision' called NewActivision involving the circulation of child-friendly comics/avatar doodles highlighting a modern fascination with the character world of 'alien' handshake humor/honor(s).

AMLAN SATAN: This 'artistic' theater for diamond insurance character expression in Philadelphia's 'examination' for confidence and traffic securities which will highlight a post-9/11 era capitalism-race flowery should require Baron Goldfinger to explain why Sierra Leone stones mined by warlords from 'conflict-zones' are (suddenly/inexplicably) becoming 'tied' with a Western/American institution hearing.

FAN: I honestly don't know (anything) about Satan's ties with blood-diamond chess/examinations, but the Goldfinger-media's now Philadelphia's blessing in disguise, and I honestly continue (simply!) to be the prince's avid-fan of cyber-homeschooling oriented arts/sciences in the circulation of urban-traffic/life handholding (yes).

Can Philadelphia afford these levels of high-chess and insurance-corruption for a post-9/11 era Homeland of great 'distances' for commerce-life/traffic securities confidence and storyboards? Well, the Philadelphia Artist (Amlan Satan) considered this 'deed' for an American highness worthy of all the 'toast' required for defenses in capitalism-race sovereignty (for all!).

AMLAN SATAN: "Look, I'm not part of the Irish Republican Army or a band of bank-robbing modern Merry-Men with a 'cyber-grudge' against blood-diamond barons (particularly Goldfinger) or a 'messenger' of vigilantism for Philadelphia's highness, but I am (indeed) and 'educator' with a 'cool' message of all that makes Philly a city of brotherly-love...and sportsmanship-honors (wow)."

Retired/married (now) in Vancouver and a big fan of ice-hockey and a junior-league coach, the once 'famous' Philadelphia Artist enjoys the new-life of social-media commentary and Western-continental expressions of 'personality' in antiterrorism rhetoric/superstition oriented storytelling, for his continued successes in NewActivision investments and cyber-network friendships. However, will he consider his 'Philly-Crusade' symbolic of all that's an 'American' heat (for all)?