Oscar's pH

Academy Awards 'face-prestige' makes for two youthful engineers finding themselves quite the dashing (American Homeland) flyers for demons.

A Saturday's Eve love-letter to the 'iconic' Academy Awards, with no specific/explicit reference to any actual/nonfictional Oscar story/event. Hope you like it, 

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Amlan and Raki, pals from Dartmouth, had written a terrific screenplay and starred in their own movie about two journalists working in insider-antiterrorism circles in Eastern Europe prior to the outbreak of the Russo-Ukrainian War of incomplete-lines readings for commerce-bridge games to globalism-rhetoric and were now nominated for a very-special double Oscar in the post-9/11 era (American Homeland) of incomplete-distances readings for securities in 'confidence' education concerning traffic/transit materialities (for the Ego!).

INTERVIEW: In one sequence, you found a Cossack-descendant with chemistry?

AMLAN: Surely did, friend; he was an eccentric of the Urals with acid-war IQ!

INTERVIEW: All this work with the 'cinema' of antiterrorism seems dialysis?

AMLAN: Surely does, friend; in deeds, we found our Selfie 'image' for patriots!

INTERVIEW: Did you always want to be an actor, Amlan pal?

AMLAN: Surely no, friend; I wanted to train to be a mechanic (ha).

INTERVIEW: Facebook-like (cool).

INTERVIEW: Friends from Dartmouth, eh?

RAKI: Best pals and fans of varied things like carrom, Bloomberg, and Muppets.

INTERVIEW: Was the 'field goal' research simply unnerving (antiterrorism)?

RAKI: Yes and no; we planned to feel prepared, but you can't do it perfectly.

INTERVIEW: Chemical-warfare age and journal/media youthfulness, good.

RAKI: We felt it was at least as relevant as Munich (thanx).

INTERVIEW: Facebook-like!

In this Earthling-universe of incomplete-distances readings for transit-bureau 'consciousness' for art(s), Amlan/Raki struck the right-note and tones for cinematic expressions of transit superstitions and antiterrorism great-depression deep-thought and were rightfully acknowledge on the night when American cinema and society (TV-audience mounted) blended those dark or thrilling or emotion-rich tones of what makes our 'fare-rich' globe a sphere for inventions in life-and-evasion 'centric' dodecahedrons (for the beautiful minds).

ACADEMY-SPEECH:

"Wow...we'd like to thank our friends and honor the memory of our families and dedicate this laurel to those who are the actual messengers of the dark/invisible experience of Earth's worst pockets...the Academy has really made us brightly-happy, and we're thinking of pursuing a project about Boston's hidden ghost-magic (now)...and in case we forgot to say something (or others!), this nod for our work's reminiscent (we argue!) of what makes Oscar-night something all Americans think of when they simply dream of the fashion-and-wood of diskettes (for all!)."

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)