American Dad Spec ScriptA Screenplay by CatRunArmed with Roger's alien guns, the smiths break into the CIA headquarters with Kanye West to set things straight.This was formatted correctly but when I uploaded it, the 'writer's cafe' editor shifted everything to the left. i do apologize but everything else seems to be in order. Enjoy. AMERICAN DAD “Harder " Better " Faster "
Stronger” By Ezra Rice
ACT ONE INT.
SMITH’S KITCHEN " DAY
A TV on the
counter, Kanye west singing "Harder-Better-Faster-Stronger". FRANCINE
is at the garbage can, throwing away a LARGE ADULT DIAPER. STAN is frantically
SEARCHING for something, he’s pulling EVERYTHING out of the cabinets. All the DOORS
and DRAWERS of the cabinets are wide open. Stan leans his head back to sing
with kanye for a moment and then goes back to searching. Haley is sitting at
the kitchen table, she rolls her eyes at Stan. Clause is in his bowel on the
table, he is reading a ‘Sexy Fish’ Magazine. FRANCINE Stan! I just cleaned this place. It was gross. Roger had his
diaper lover group over for breakfast. STAN I need my guns Francine. I have an important mission and I
can’t do it without them. FRANCINE What’d ya need ‘em for anyway. Stan stops
what he’s doing, he stands next to Francine, his face is millimeters away from
hers, he squints his eyes. STAN Don’t do that. Don’t pretend like you don’t know what I need my
guns for. That just pisses me off. And you don’t wanna see me pissed off. Stan
returns to his search for his guns. Roger walks in the room, he is naked, he
takes a seat at the end of the table. ROGER Morn’n Franni. FRANCINE Roger,I... Francine is interrupted by Steve. STEVE Wa... wait, Roger, did you just call my Mom a Mormon? ROGER What? No I said Morn’n. STEVE Oh. FRANCINE Yeah, honey. It’s common greeting in our society that one might
use before noon. That’s 12 PM. You’d think that it would be 12 AM because it’s
in the daytime, but it’s really not. STEVE So… so no one said Mormon? Cause, I… I gotta joke. Francine looks at
Steve, annoyed, she looks back at Roger. FRANCINE Roger, that was disgusting. ROGER Yeah, thanks fer do’n that, Franny. I usually have Darlene
change me but I had a bunch a jalapenos on my breakfast burrito and filled my
diaper a little bit early if ya know what I mean. Roger
nudges in Francine direction and winks. HALEY Eww… Roger. That’s disgusting. ROGER Real original Haley. You just repeated what your mom said. STEVE Mom, what’s a diaper lover? FRANCINE Not now, Steve! ROGER (Looking at Stan) What’s with Old McDonald Make A Mess over there? Steve turns to Haley
as Francine and Roger talk. Steve whispers in Haley’s ear. Haley turns to Steve
and whispers back. Steve’s eyes open wide, he screams, he stands up and
continues screaming as he runs around the kitchen, waving his arms. FRANCINE Oh, he can’t find his guns. ROGER Well of course he can’t find ’em… I sold ‘em. STAN (Yelling) ROGER! What the hell did you do that for? Steve tires himself
out from running, he stops by Francine, he rests his hands on his knees and
breaths heavily. ROGER Why to pay fer my penis enlargement of course. STAN What? Roger stands up from the table. ROGER Yeah! But since I didn’t have a penis to begin with, they had
to install a pump. Roger lowers his hand
out of view, his arm twitches a little, we hear the sound of his penis pump, a
devilish grin appears on his face. Everyone in the room drops their jaws. They
all stare at Roger’s crotch. Francine stands behind Steve and covers his eyes
with her hands. FRANCINE Roger, if you’re gonna use your pump in the kitchen, put some
clothes on.
CLAUSE Oh, nice. I want one. I'm gonna make it huge.
STAN No way, Clause. Noth'n do'n. I already have to watch you poop
in your bowl I'm not going to stare at your giant erection all day.
CUT TO: Clause in his bowl.
A profile of him shows a blur over his penis that extends almost to the bottom
of the bowl. CUT BACK: CLAUSE Where’d ya get the skin for that? ROGER It’s pretty big, so they had to use some skin from my a*s. A close up of Roger’s a*s
and back reveals a large penis and testicles shaped cutout of his skin, it is
red and raw, clearly fresh. STAN D****t Roger!... Stan pauses to glance down at Roger’s
crotch. STAN Nice! (Then) …I need those guns to kill people. ROGER What kinda mission is this anyway? Roger’s hand drops out of view while they are talking and we
hear the squeal of air leaving his penis. STAN I’m killing an ambassador from South Africa " I’m working with
Kanye West on this one, and it’s hard to impress a celebrity when I don’t even
have any guns. Everyone swoons and giggles. CLAUSE Oh, Kanye West, I’d let him poop in mine bowl. Francine and Haley
both roll their eyes back and sigh with satisfied grins on their faces. FRANCINE/HALEY That sounds nice./Oh God, yes! ROGER Oh, Stan, quit be’n such a b***h. STEVE Yeah, dad! Why don’t you just use your bare hands like all the
other cool Assassins? Stan takes a deep breath and then
speaks calmly. STAN Bare hands are necessary part of the assassin’s toolkit but are
only useful in certain... (Beat) Oh shut up Steve, I don’t have to explain myself to any of you. HALEY Dad, I’m glad he stole your guns. Killing is wrong! STAN Oh big surprise, Haley. (Emphatically) The hippy don’t like guns. Stan scoffs and rolls his eyes
overdramatically. STAN (To Roger) You’ve totally screwed me here! Roger
awkwardly reaches behind him. We hear a slurping, sucking sound, followed by a
pop. Roger pulls a large gun out of his a*s. ROGER Here, use this. FRANCINE/STEVE Eww, Roger!/ That’s discusting! ROGER What? STAN That was in‘ur butt. And I don’t touch things that have been in
people’s butts. " Not after I gave Hillary Clinton her prostate exam. ROGER What? No it wasn’t. You really think I’m gonna shove a gun up
my butt and walk around for two and a half months and then pull it out and give
it to you? FRANCINE/STAN/HALEY/STEVE/CLAUSE Yes! ROGER I was keeping it in my pouch. STAN You have a pouch? ROGER Well yeah, I’m a marsupial. STEVE Roger, that’s awesome! STAN Wait, What? HALEY You’re a marsupial. ROGER Well, yeah, I can put all kinds a things in there. Roger
reaches back and pulls out several items and one by one he places them on the
table. First a bottle of rum, then a large printing of Mona Lisa - in frame,
followed by a potted plant, and finally a small puppy, that he snuggles, he
lets it go on the ground. CLAUSE This is fantastic, Roger. Do you have anything else in there? ROGER (worried) NO! Everyone
gives roger a look. We hear a man’s voice. MAN (Muffled) Can I come out now! (Beat) Roger? No on says
a word, they all just stare at roger with eyes wide open. MAN (Muffled) Where am I? I’m frightened. END OF ACT ONE
ACT TWO INT. ROGER’S
ATTIC - DAY The puppy
runs around the attic, yipping, barking, and panting. The whole family stands
in front of a large, blank wall. Roger pushes a button and it transforms with
shelves and cubby holes appearing, panels in the wall slide out and turn
around, revealing hundreds of guns, an arsenal. STAN Roger! What are all these? ROGER These are my guns, Stan. STAN Well if ya have your own guns, why the hell’d ya sell mine. ROGER Mine are space guns, Stan. If I tried to sell‘em here on earth,
people wouldn’t know what they are so I couldn’t get 10 bucks for ‘em. FRANCINE Roger, you’ve got so many. ROGER Oh yeah, I got all kinds a guns. Peanut butter gun, wiener gun,
Peanut butter wiener gun. STEVE What’s that one for? Haley
reaches behind her and scratches the middle of her butt. ROGER (Laughing) Oh honey, you... you don’t wanna know. HALEY (Disgusted) Roger, why’d you even bring these up here? Haley is
interrupted by Stan, Francine, Roger and Steve staring at her as she scratches
her butt. STAN (Worried) Haley, what the hell are you doing? HALEY What? I’m just scratch’n my butt. ROGER No, No! Using the tips of your fingers is scratching. STEVE Ya, when you’re in up to your elbow it’s something entirely
different. (Angrily) ya sick d****e. Haley takes
her hand away from scratching and holds both of her hands up. Everyone but
Roger jumps back and gasps. HALEY What? STAN/FRANCINE/STEVE What the hell, Haley?/I don’t want your poo on me?/You’re sick! Roger leans
into Haley’s fingers, closes his eyes, he takes a long, deep sniff, he holds it
in for a moment, he exhales slow and shivers at the same time. ROGER (Overly exaggerated) Oh... my... God! Roger opens
his eyes, everyone is staring at him. Haley pulls her hand away. ROGER Just do what I do, Haley. Eat a bunch of foods that make ya
real gassy and then let the farts do all the work. Scratches the entire length
of your rectum from the inside out. STEVE (Excitedly) Roger! I thought I was the only one that did that. FRANCINE Really? I’ve farted thousands of times and never had that
happen. STAN You guys do it too? It feels soooo good but I never told anyone
cause I was embarrassed. FRANCINE Seriously, am I just doing something wrong? They all
give Francine a look. HALEY Leave it to the three men in the house to take something as
disgusting as farting and make it even disgusting " er WIDEN: to reveal Clause floating in his
bowel. CLAUSE Uh, three? Oh yeah, I uh... Last time I checked, I was a man. ROGER (Aggressively) Shut up Clause! You’re not a man, you’re half fish, which means
you’re not even a full fish. (Yelling) You’re nothing! Roger swings his arm, knocking Clause to the ground, his
bowl shatters. Clause gasps for air. We hear a very loud fart, Francine’s eyes
are open wide, a devilish grin appears on her face. FRANCINE Oh my God, that does feel good! ROGER/STAN Fart it out Franny!/Doesn’t it? Stan,
Steve, Roger and Francine all fart several times in a row, all laughing, all
smiling. Haley stands alone, she rolls her eyes and scoffs. FRANCINE How come you guys never told me this before? HALEY Ugh " You guys are disgusting! FRANCINE Ya know what I say to that? Francine
lifts her leg and grunts, we hear a week and trailing fart. Francine, Stan,
Steve and Roger all start laughing. FRANCINE It’s funny and it feels good. (Then, to Haley) Well if ya don’t wanna fart to scratch yourself then why don’t
ya try cleaning yourself better after ya poo? STEVE (Quietly) Gross. STAN (Singing a tune) Haley doesn’t know how to clean herself,
Haley doesn’t know how to clean herself... ROGER You’re dirty. (Then) But if ya need help, I offer specialized butthole cleaning
services. My prices are very reasonable and I only go up to the second knuckle. (Then " Whispering) I’ll go to my wrist if ya pay me enough. FRANCINE It’s not that hard. After you pee or poo, you wipe from font to
back. Everyone
stops laughing and gives Francine a serious look. FRANCINE What? Ya don’t wanna get poo in you’re vagina. Everyone
looks at Francine in disgust, all silent. FRANCINE What? Steve
faints, he hits the floor with a thud. Stan kicks Steve a few times until Steve
stands up again. STAN (Muttering to Steve) Don’t faint over that, ya big girl. Git up! ROGER So, what can I getcha, Stan? STAN I just need something to shoot people with. ROGER Well they’re guns, Stan. They all shoot. Ya need long distance
or something more for close-quarters combat? STAN I don’t know, something mid-range. Stan reaches for the nearest
gun. STAN What about this one? ROGER It’s like a grappling hook, won’t kill anyone. STEVE Roger, what about this one? Steve picks up a
large, purple rifle. ROGER Ooh, one of my favorites. Roger steps to Steve
and takes the gun from him. ROGER You think of something you wanna eat, the gun reads your mind,
then you pull the trigger and voila. STAN Roger, how come we’ve never heard of this till now, we could
have been using it for so many things. ROGER We have used it, Stan. CUT TO: INT.
KITCHEN " DAY Roger sits
at the table, he’s eating a sandwich. Stan is pacing the floor in front of the
table, he’s holding a folder. STAN I can’t believe I offered to cater this thing here tonight. I
can’t prepare that much food in two hours, Roger. ROGER Don’t worry Stan, I’ll take care of it. Stan sets
the folder on the corner of the table. STAN Really? You’d do that for me? ROGER For sure bud, don’t worry about a thing. STAN Oh, that’s great, thanks Roger. Stan walks
into the living room. INT. LIVING
ROOM " CONTINUOUS Stan walks
through the door from the kitchen, takes a few steps and then realizes
something. STAN Ooops, forgot my file. Stan turns
and walks back into the kitchen. INT.
KITCHEN " CONTINUOUS Stan enters
through the kitchen door from the living room. The entire kitchen has changed.
The table and all the counters are now filled with fresh fruits and vegetables,
roasts, honey hams, side dishes and beautiful deserts, three different
chocolate fountains, and so much more. Roger is still sitting in his same spot
at the table, eating his sandwich as though nothing had changed. Stan doesn’t
notice anything, he steps to the corner of the table, picks up the folder,
turns and leaves once again. Once Stan is out of the room, Roger takes another
bite of his sandwich. CUT BACK: Stan is
shocked. STAN What? I don’t remember that. ROGER You don’t remember anything. FRANCINE (Upbeate) That’s my Stan. ROGER (To Steve) Here, Steve. What’d ya wanna eat? STEVE Uh, I dunno, cupcake? Roger points it at
Steve and pulls the trigger. A large fluffy cupcake lobs out and lands in his
hands. STEVE (Yelling) My God, Roger. This is awesome! FRANCINE (Laughing) Oh, Roger, I wanna try. HALEY No, me first! Me first! FRANCINE Ugh, fine! ROGER Okay, Haley, what’ll it be? HALEY A foot long hot dog " with sauerkraut. ROGER Oooh... good one. Haley holds her hands
out. Roger pulls the trigger, a plump, juicy, hot dog plops onto her hands. FRANCINE (Excited) Roger! Now do me! ROGER Okay, settle down there, spaz. What’d ya want? FRANCINE I wanna hot dog too, no cupcake! No, spaghetti! No, beer! No,
steak! Roger pulls
the trigger, unleashing all five at the same time. They come out fast and smash
into her face, first the hot dog, the cupcake, then uncooked spaghetti with
sauce, then an unopened beer bottle, then a half cooked steak. FRANCINE (Yelling) Ouch! Roger! ROGER Well, ya shouldn’t have thought about five things at once. STAN (Laughing) Ha ha! Roger this is great. Stan reaches
for a new gun, he sees a large, cool looking weapon, clearly alien. STAN Roger, what’s this one? ROGER Oh, that’s another good one. It’s a body switching gun. STAN Really? How does it work. ROGER There’s a DIAL on the side, turn it to switch... CLOSE-UP:
on the side of the gun. A single dial with two options: “Switch” and “Switch
Back”. Stan turns the knob back and forth a few times, he turns it to switch
but it doesn’t make it all the way, the dial is in the middle. ROGER (CONT) ...and then point it at whoever you wanna switch with and then
just pull the trigger. Comes in real handy when starting a coop. Francine
finishes wiping all the food from her face and clothes. Stan points the gun to
Francine, he pulls the trigger. The gun fires a bolt of light that encompasses
both Stan and Francine. The room starts to shake and then "BAM- The
beam of light explodes knocking everyone to the ground. No one is moving. Everyone
groans and then Stan and Francine stand up together facing the others in the
room. We can only see enough of them to suggest that nothing is wrong. Haley,
Roger, Clause and Steve look at Francine and Stan. They are in shock with jaws
dropped. FRANCINE You guys okay? ROGER Are we okay? STEVE What happened to you guys? HALEY Yeah, this is freaking me out.
FRANCINE/STAN What?/What are you talking about? REVEAL:
Stan and Francine are standing side by side. The gun malfunctioned, switching
only part of each person. They are still in their own bodies but with a few new
parts. Francine has Stan’s chin, left leg, hands and his hair. Visa verse for
Stan except he got one of Francine’s b***s. They finally look at each other,
they scream. They both feel their own faces. FRANCINE Is, is this real, Stan? STAN Roger! What the hell happened? ROGER I don’t know, I wasn’t the one holding
the gun, Stanny Poo. (Then) Or should I say Franny Poo?
STEVE (To Roger) Nice!
STAN (Yelling) Roger?
ROGER I dunno, Stan. What’d you do?
STAN I just pulled the trigger. Roger picks
up the gun, he inspects it.
ROGER Stan! You didn’t turn it all the way to
switch. STAN What? ROGER It’s halfway between. It must have malfunctioned and only
switched half of you with half of her. Roger drops
the guns and Steve picks it up. STAN Kanye’s gonna be here any minute. FRANCINE Stan, what’r we gonna do? STAN Okay, don’t panic. Steve picks
up the gun. ROGER Careful with that, honey. STAN Yeah, Steve. We don’t want this to
happen again. STEVE Dad, have a little faith. I’m a grown man. I’m not just gonna… Steve
stumbles back and accidentally fires at Haley. The room shakes and the light
beam explodes, throwing everyone back once again. Haley and
Steve have clearly switched but only a few parts. Chin and jaw, half of each
other’s hair, and both legs. Steve also got one of Haley’s b***s. ROGER Oh God, their hideous. CLAUSE (Almost vomiting) It’s like watching the two ugliest
people in the world
combined. CLAUSE/ROGER It’s like Scarlet Johansen and Taylor Swift. Clause
floats in his bowl, sitting on a box next to Roger. They both laugh together. ROGER Oh man, you thought of that too? Wait, I thought I just smashed
your bowl to bits. CLAUSE You know how many times you break my bowl every week? You think
I haven’t learned to have extras on hand by now? The wall behind Clause is completely packed with boxes of
brand new fish bowls. Steve is grabbing his chest with both hands, comparing one
side to the other. STEVE (Yelling) Oh God, I only got one b**b. Haley uses
both hands to look down her pants, she screams. HALEY Ugh. I’m gonna be sick. Roger and
Clause laugh. ROGER Ha, Haley’s gotta wiener. Steve looks
down his pants and screams louder than Haley. STEVE Ahhh! He’s gone! STAN Steve, settle down. STEVE But, dad! He’s " he’s gone. My, my "
he’s gone. I look down and… he’s not there! STAN Oh, Steve, stop your whining. A thought
hits stan, he has a curious look on his face, he looks in his pants, he
screams. STAN Ahhhh! Francine, that means you have my... Francine
stands still and just wiggles her hips from side to side, a dirty look appears
on her face, she bites her lip. Just then the doorbell rings. STAN Ahh! He’s here. FRANCINE ugh, stan, stop your worrying. He’s in the CIA, right? He’ll
understand.
STAN Understand what? That we’ve been hiding an alien in our house
and now got half our bodies switched because one of his weird guns? ROGER You can’t tell him, Stan! They’ll kill me! STAN I’m not gonna tell him, Roger, but you need to switch us back. ROGER I don’t know if I can, Stan. This thing wasn’t designed to
switch people like that. Even if you turn the knob to switch back it could make
things worse. HALEY Ugh, just kill me. STEVE Dad! What’re we gonna do? The
doorbell rings again. Francine turns to leave. FRANCINE I’ll get it. STAN Francine, no! You can’t answer it looking like that. FRANCINE Well we can’t have him out there too long. A black man,
loitering? - in this neighborhood? STEVE Ya, Dad! He’s a famous celebrity, you gotta get’im off the
street. STAN Alright, alright. Roger, get me one of your disguises. ROGER And let you get your taint juice all over it? No thanks " no
thanks. STAN Roger! ROGER Alright, look. I’ll get in a disguise let him in. While roger gets
dressed, Stan explains. STAN Roger, I got it! We’ll use the CIA’s machine. ROGER They have a body switching machine? STAN Yeah, it was one of the pieces of alien technology they found
in the crash landing in Roswell. We’ve been working on it ever since. ROGER Well just have Kanye go get the machine and bring it here. STAN Can’t, it’s too big. ROGER (Blushing) Thanks. STEVE Not your weiner. (Then. Crying.) Oh god, my weiner. STAN Plus, I can’t have him see me like this. ROGER Okay, so what’d ya want me to do. STAN Just invite him in and then knock him out. (Then) Then come get me when he’s unconscious. ROGER Right! INT. LIVING ROOM "DAY The doorbell rings once more, Roger appears on the stairs
and trips on the last step, he face plants with a grunt. He then stands up and
walks to the door. Before Roger can open the door, Clause walks down the stairs with Hayley’s
legs attached to where his tail fin should be, he has his fish bowl, filled
with water, it is upside down, covering his head and rests on her hips. CLAUSE Steve pulled the trigger again and I got Haley’s legs. Now, if
you’ll excuse me I have a date. Clause walks into the kitchen. Roger opens the front door to
find Kanye West. Roger jumps and squeals like a little girl. ROGER Oh my God, it’s Kanye West. KANYE (Blushing) Ah, yeah. ROGER Come in come in. Kanye steps in and Roger closes the door behind him. INT. ATTIC " MOMENTS LATER STAN What’s taking him so long? FRANINE Stan, it’s only been like 5 seconds. ROGER (OS) Stan! He’s unconscious. Stan’s face lights up
with excitement and he runs down stairs. The rest of them follow. Steve trails
behind, he is sitting in one of Clauses fish bowels with his tail fin flapping
in the water below his body, he scoots slowly across the floor. INT. LIVING ROOM " MOMENTS LATER Stan, Francine, and Haley emerge from the top of the stairs,
they run down till they are standing next to Roger. Roger is standing behind
Kanye who is lying on his face and propped up on his knees, his pants are
pulled down revealing his bare a*s. STAN Roger? What the hell? ROGER What? You said to knock him out. STAN I say knock out and your mind goes to rape? Roger looks at Stan for a moment and then shrugs. END ACT TWO
ACT THREE INT. FRONT ROOM " Day Everyone but Clause stands around Kanye and Roger. STAN Okay, here’s what we do. There’s no way any of us can get
through CIA security looking like this so we’re going to have to break in. ROGER How we gonna do that? STAN I’m just going to have to use my CIA training. (Beat) Hang on a second. (yelling) Francine! FRANCINE What’d I do? STAN What? No, I was summoning you as the housewife of this estate. FRANCINE (Curtsying) Oh, sorry. What can I get you sir? STAN I’d like a foot long hot dog, a large fries, and a diet Coke. STEVE (Frantic) My hot dog, oh God. Steve grabs at where his crotch should be but feels the cold fish bowl,
he screams. FRANCINE And will that be a large diet Coke or and extra large? STAN Extra large. Francine walks to the kitchen. STAN Alright, everyone knows where you’re emergency gear is. Get
changed into your sleuthing attire and meet back here in ten minutes. INT. LIVING ROOM " SAME MOMENT Everyone is where they were before but now, they are all
dressed in black clothes. Long sleeve turtlenecks and beanie caps. They all
wear a worried or confused look. Roger is casually filing his nails. STAN What the hell was that? ROGER What was what? STEVE What’d ya mean ‘what was what’? We didn’t move but we’ve all
changed clothes. ROGER Huh? Oh, yeah. Stan was taking foreeeeeever so I sped things up
with my TIME SPEADY UPPY GUN. (Beat) I told ya, I have a gun for every occasion. HALEY Dad, this better work. I’ll never date anyone looking like
this. STAN (Gasp) Dam you, Roger! ROGER What? STAN If we don’t change everyone back then no one will date Haley
looking like that. (Beat) Except for Jeff. ROGER Oh yeah. He doesn’t have what you would call… “high
standards”. And since he’s never coming
home, she’s screwed. HALEY (To Roger) What’s that supposed to mean? ROGER Ugh… It means Jeff doesn’t care if you’ve got too much dirt and
not enough star or if you still had your brother’s wiener. It means you stink
and your ugly. It means your mom wasn’t wrong when she told you to wipe better.
Front to back… it’s not that hard. Seriously, call me. (Whispering) Second knuckle. Roger hands her a business card with a starfish in a puddle of mud. STEVE Oh hell no! That’s my a*s and I’m not let’n you stick your
finger up there again. Everyone gives Steve a look. STEVE What? It was when… Roger silences Steve with a finger to his lips. ROGER Shh… That moment was between you and I. No one needs to know. No one says a word. Rogers phone vibrates, he looks at it
and begins to walk to the kitchen. STAN Where the hell are you going? ROGER That was Clause, he ordered a butthole cleaning. Apparently
Hayley’s snuggley bitts are dirtier than we all thought. It’s gonna take more
than the power stream setting on Francine’s new shower head, if ya know what I
mean. FRANCINE Wait, Roger, how’d you know about my new shower head? ROGER Remember that giant googley eye that I told you I bought for a
costume but ended up not making it so I stuck it in your shower for “funsies”? STAN Roger, you’ve been peeping on Francine? FRANCINE Oh, that makes sense. I wondered why the pupil stayed in the
middle and never fell to the bottom. Clause enters the living room from the kitchen. CLAUSE Come on Roger, let’s do this. I can’t expect to get laid with a
dirty fudge maker. HALEY You’re not having sex with my legs. CLAUSE They’re mine now. STAN Haley! He’s a fish with a woman’s legs and boy’s penis. He’s
not getting laid. No one would touch that. STEVE Wait, Clause, you have my dong? CLAUSE (Giggling) Yes I do Steve. STEVE Gross! FRANCINE Oh, honey it’s not like you use it anyway. STEVE What? I use it all the time… I… I use it like 3 times a day. HALEY Eww… I don’t wanna hear that. STAN She meant with a woman… STEVE Oh, well then ya, I… I don’t uh… STAN (CONT’D) …It doesn’t matter anyway. He’s coming with us. CLAUSE What? STAN The machine can’t switch us back if we’re not all there. You’re
coming! CLAUSE Fine. STAN Alright, everyone get your gun. We’re going to the CIA. INT. STAN’S SUV " NIGHT Stan is driving, Francine is in the passenger seat, Haley,
Clause and Steve are in the back seat and Roger and unconscious Kanye are in
the way back. Through the windshield, we can see all of them crammed in there.
Roger is wrestling with Kanye’s unconscious body, trying to moon people with
Kanye’s bare a*s. The car is constantly jerking forward and backward and side
to side as Stan struggles with Francine’s foot and hands. Everyone inside are
being tossed around like rag dolls, the water in clauses bowl is sloshing
about. CLAUSE Stan… I’m gonna vomit. HALEY Dad, can’t you drive any smoother? The movement of the water is
making Clause sick. STEVE (Smiling) I like it, it feels good on my fin. ROGER (Yelling) Stan! Drive better. You’re making it impossible to get Kanye’s
a*s on the window. An old lady just flipped me off and I wanna show her his
gremlin. Stan is growing impatient. STAN D****t, that’s enough. Everyone just shut up. We’re almost
there. FRANICE Don’t worry Stan, your driving’s not that bad. EXT. CIA HEADQUARTERS " NIGHT In front of a fence with a security gate in the distance and
Langley beyond that. A row of bushes line the road leading up to the security
gate. Stan’s SUV enters from the left, out of view of the guards. The SUV slows
down and then jerks forward, everyone inside is tossed back and forth. The
vehicle lunges forward again and then comes to a screeching halt, throwing
everyone forward, Kanye’s body goes flying up to the front, he slams into the
windshield between Stan and Francine, his pants are still down around his
knees. FRANCINE (Groaning) Ugh, is everyone alright? Francine opens the car door, most of Kayne’s body is on her
lap. She pushes him out, he lands in a crumpled heap. ROGER Yeah but no thanks to our driver, Old McDonald had a seizure. (Beat) Boy, I am loving these ‘Old McDonald’ jokes. STAN I told you, it wasn’t my fault. I can’t work the peddles with
Francine’s skinny leg and tiny feet. Francine climbs out, followed by Haley, Steve and Clause. CLAUSE Oh, Stan. That was the worst ride I’ve ever taken. And I once
gave driving lessons to Hellene Keller. STEVE Well it doesn’t matter anyway. We’re here. Stan gets out and they all walk toward the edge of the ivory
covered fence to get a better look at the security gate. FRANCINE Stan, how we gonna get in there? They’re not gonna let three
transvestites, two half fishes, Kanye west, and an alien just stroll on in. STAN It’s not gonna be easy but… Stan is interrupted when they all hear a noise behind them,
like something is being dragged through the dirt. They all look back toward the
SUV, Roger is pulling Kanye’s body, his pants around his knees. ROGER What? I’m not leaving him here. STAN Right, someone could find him and it would blow the whole
operation. CLOSE UP: on Kanye’s bare a*s and Roger’s face. His eyes are
wide open and staring and Kanye’s a*s. ROGER Right, that’s it. Wouldn’t wanna get caught. STAN Roger, you need to keep up. And pull his pants up. ROGER (Childish) No! I like’m down. Roger slaps Kanye’s a*s cheeks. STEVE Okay, guys. How we gonna do this? STAN Clause, you’re short enough to sneak behind those bushes. CLAUSE But they’ll see my bowl. STAN It’ll be fine. The guards will only take action if they see a
human or an alien. We don’t have the budget to train them to do anything for
fish. From the security gate, the two guards are facing out, one
is reading and the other is childishly playing a game on his phone. The bushes
are on the left, we see clauses fish bowl with his head sticking straight up,
it seams to be floating along the bushes. The two guards jump up with there
weapons. GUARD 1 Possible security breach, let’s go. Guard 2 stops Guard 1 with a hand on his shoulder. GUARD 2 Wait! It’s just a cute little fish. Through the window behind the guards, the Smith’s sneak past
the security gate, Stan and Francine stumbling across the grass, Steve scoots
himself with his hands, Roger is behind them with Kanye’s body in tow. GUARD 1 But what’s a fish doing out here? Shouldn’t we go check it out? Guard 2 taps his gun against a sign on the wall that reads
“Your concern is with HUMANS and ALIENS only!” GUARD 2 Not a human or an alien, not our concern. Both of them put their guns down and go back to what they
were doing. GUARD 2 Cute little fish though. GUARD 1 Damn straight. EXT. CIA ATRIUM " NIGHT " MOMENTS LATER In the CIA, the family, Clause, Roger are looking around the
corner to their last obstacle, a security checkpoint at the other site of the
large atrium. All concrete with a few plants on the ground and hanging from
planters. Two large concrete beams hang above them and run the length from
where they were to the security booth. CLAUSE How we gonna do this one? STAN I got it! (To Steve) Steve, you scoot across that beam to distract the guards. STEVE But dad, they’ll see me. STAN No, Steve. You wearing all black. All they’ll be able to see is
clauses bowl with your fish tail. STEVE Dad, that’s brilliant! Once again from within the security gate, we see the two
guards, TERRY (black) and Morgan (white). They are facing out, Terry is reading
and Morgan is childishly playing a game on his phone. Above them on the beam,
we see clauses fish bowl with his fin sticking straight down and flapping, it
seams to be scooting itself along the beam. The two guards jump up with there
weapons. MORGAN Possible security breach, let’s go. Terry stops Morgan with a hand on his shoulder. TERRY Wait! It’s just a cute little fish. Through the window behind the guards, the family sneaks past
on the other beam, Roger is still behind them with Kanye’s body in tow. The top
half of Kanye’s body slips off the beam, Roger struggles a bit but then gets
him back on the beam and on their way. MORGAN But what’s a fish doing out here? Shouldn’t we go check it out? Terry taps his gun against the sign on the wall that reads
“Your concern is with HUMANS and ALIENS only! TERRY Not a human or an alien, not our concern. The both of them put their guns down and go back to what
they were doing. MORGAN Cute little fish though. TERRY Damn straight. INT. CIA " BODY SWITCHING ROOM " MOMENTS LATER Inside the body switching room, the family enters cautiously
until they are next to the large magnificent, alien looking machine that towers
above them. FRANCINE Stan, this thing is huge. HAILEY And complicated STEVE Yeah dad, are you sure you know how to use this? STAN It’s harder to switch with someone, but to switch back you just
have to stand in the pods and it sorts out the DNA and puts us back together. Just then, Kanye wakes up, the family turns to face hm. STAN Kanye! You’re alive! KANYE No thanks to you. (Beat) Rude. Knock’n me out when I walk in your house and then drag me
around in the dirt and on the concrete. (Then) Is that how you treat all black men in your neighborhood? Everyone glances awkwardly around the room, not making eye contact with
Kanye. FRANCINE Oh, uh… Kanye you’re alive. Yay! KANYE Save it Francine. STAN Hey, don’t you talk to my wife that… (Then) Hey wait, how did you know we dragged you through the dirt? KANYE I woke up when we got to the security gate outside. STAN But why? KANYE You dummies still don’t get it do you? (Beat) I set this whole thing up. STAN (Gasps) Kanye! (Beat) Wait, you set what up? FRANCINE Uh, you’re gonna have to be a little more specific than that. STEVE Yeah, a lot’s happened since this morning. KANYE All of this. You, the switched bodies, being here at the CIA. I
just can’t believe you fell for it. HAILEY What? How could you have done this. KAYNE I broke into your house and sabotaged the Roger’s body
switching gun. Everyone gasps. ROGER But that means… you know I’m an alien? KANYE What’d you think this is all about? Roger steps into Stan, he wraps his
arms around Stan’s waist. ROGER I’m scared, Stan. STAN (Confused) Kanye, why’d you do this to us? KANYE Stan, I’ve been stuck on this plannet for over sixty years. I
hate it here. I’ve been trying to leave ever since but it wasn’t until now that
I found out you had an alien living with you. Now I have a chance to get off
this stupid blueberry. FRANCINE Oh, god. You’re not going to tell the CIA are you? Cause
they’ll kill Roger. KANYE What? No, if I tell them, they’ll kill me too. STAN But Kanye, that would mean you’re an… an… ROGER An alien. KANYE Dam straight! (Beat) And now I’m gonna kill you guys and take Roger’s space ship. Kanye’s body begins to change, growing larger, his skin
tears open and his true self emerges. A large green and purple humanoid with
long tentacles and four large eyes, two in the front and two one on either side
of his head. Everyone gasps at the sight. HAILEY/SETVE Ugh, he’s hideous./Ewe, gross. KANYE Tha… that’s funny coming from two of the five ugliest people on
earth. FRANCINE Who’s the other three? KANYE What? FRANCINE You said two of the five. Who are the other three. STAN (Rubbibg his eyes) Ugh, don’t Francine. Not right. KANYE Oh, my God. I can’t take anymore of this, I’m killing you
first. STAN Not if I can help it. Stan pulls up one of Roger’s guns and takes aim. STAN Say your prayers alien boy! Stan pulls the trigger and a stream of thick, creamy peanut
butter comes shooting out, covering Kanye. KANYE Ewe… what? STAN (To Roger) Roger? What the hell. ROGER Stan, that’s my peanut butter gun. I tell you to arm yourself
and you pick a sandwich fix’n? STAN What? I didn’t know. KANYE Ugh, enough of this. Kanye runs after them. Everyone scatters except for Steve,
Kanye goes after him first. STEVE Ahh, what’d I do? ROGER That’s the grappling hook gun. Steve takes aim and shoots at a group of pipes near the
wall, the hook wraps around a pipe and activates a switch and pulls himself
away from Kanye. Kanye turns his focus to Francine and runs, Francine
screams. FRANCINE (Frantic) I can’t do this. (Calm) Wait, if Steve can do this then so can I. Francine takes aim and pulls the trigger just as Kanye is on
top of her. A huge gust of wind shoots out, blowing Kanye, it fluffs his hair
and tentacles. He stops in his tracks and shakes his head. ROGER Franny, that’s my wind gun. RUN! Francine freezes and lets the gun drop to the floor. HALEY (OS) Get away from my mom! Kanye turns to find Haley pointing a large barrel gun at
him. She pulls the trigger but nothing happens except for a light pink fairy
dust floats up from the tip of the barrel. HALEY What the hell? KANYE Is this a joke. You brought a bunch of guns that don’t shoot
bullets? (To Stan) How they ever let you into the CIA I’ll never understand. Kanye slowly steps toward Haley, his tentacles raised and
waving menacingly. All of a sudden, Kanye’s tentacles drop to his side, he
stumbles, he drops to the floor, he’s unconscious. Everyone joins Francine and Haley. STAN Roger, what was that? ROGER That’s my fairy dust gun. It puts you to sleep. STEVE Roger, do none of your guns shoot bullets? ROGER What? No! There’s no violence on my planet. Just celebrations. (Beat) That’s why I never leave the house without this. Roger reaches behind him and pulls a large gun out of his
pouch. FRANCINE What’s that? ROGER It’s my confetti gun. Roger points the gun in the air and shoots over and over as
he runs around Kanye’s body, confetti falls around them. STAN Come on everybody, get in the machine. I need my old body back.
Roger, you’re going to hae to push the button. Everyone takes their place in one of the pods on the
machine. STAN Okay, Roger, push the button. Roger presses a green button, the machine whirs as it spools
up, lights flash all sorts of colors and the whole room begins to shake, fog
flows from the machine, covering the family in the pods. Roger takes a step
back. The machine spools down and the light dim. Everything is quiet. ROGER Stan? Franny? Did it work? Stan emerges from the fog, he’s feeling his whole body,
checking if everything was properly switched. The rest of them emerge from the
fog. They all jump for joy and celebrate. Steve takes a moment, he looks down
his pants, he sighs. STEVE Oh, thank god. Just then the security lights come on, sirens blast. The
family freaks out, they run to a large door with a glass viewing window marked
“Freezer”. STAN Quick, in the freezer. They’ll never look for us there. They all run to the door, it’s locked, Stan struggles with
the handle, Haley stands still, she is staring through the viewing window. STAN This is it, we’re all going to die. ROGER I just turned 1600. I’m too young to die. A large growl comes from behind them, it’s Kanye. He’s awake,pissed off and walking toward them. The
family screams. He’s almost to them, the main door to the room flies open with
an explosion and flash of light. A team of men rush through the door armed with
assault riffles and combat gear and helmets. One of the men in a helmet yells,
it’s Bullock. BULLCOK It’s an alien, men. Fire. All of the men open fire, Kanye drops to the floor,
lifeless. Bullock walks over to the Smiths, he removes his helmet. BULLOCK Stan, what are you doing here? STAN Kanye took us hostage, Sir. Said he wanted me to use my
security clearance to get to a ship he thought we had here. BULLOCK Well, it’s a good thing you kept him busy till we arrived. EXT. CIA " NIGHT " MOMENTS LATER Bullock and the family emerge from the main entrance of the
building. BULLOCK And remember, Smiths. You didn’t see anything. STAN Yes, Sir. Don’t worry, we know the protocols. Bullock walks back inside, leaving the smiths alone. They
begin to walk away. ROGER So how do ya think he found out about me? The camera pulls back slowly to an aerial view. STAN I don’t know roger. But we don’t need to worry about it any
more. He’s dead now. ROGER Maybe it was all the fan letters I wrote to him telling him
that I was an alien. STAN/FRANCINE/HALEY/CLAUSE/STEVE (Yealling) Roger! ROGER What? Have you seen the man? He’s gorgeous. He’s like an ebony
God, carved from finest chocolate this earth has to offer. STAN Did you really write him those letter? ROGER No. I just wanted to think of Kanye naked one last time. EVERYONE (Sighs) Yeaaaaahhhhh. FRANCINE Ya think we’ll ever find out how Kanye knew about Roger? FADE IN: INT. BODY SWITCHING ROOM " SAME MOMENT The camera floats through the room starting at main door to
the room. Four of the armed men are dragging Kanye’s body out the main door.
The camera passes them, over the body switching machine, to the freezer room.
It moves forward through the viewing window and ends on Jeff. He’s suspended in
a large glass tub, a breathing apparatus in his mouth. END OF SHOW
© 2015 CatRunAuthor's Note
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Added on September 23, 2015 Last Updated on September 23, 2015 Tags: American dad, spec script, TV script, Screenplay, body switching |