Write for Your ReaderA Story by Karen BernsSome say that writing is a fault.
More and more texts can and want to be read today. They vie for the attention
of the reader. If you write, you can no longer assume that you will already
read it. Anyone who wants to write and be read should consider what he can do
to ensure that his text is in the wealth of information. Content and benefits are important.
A pleasing language makes it easier. Correct spelling and grammar announce competence.
Even a little advertising cannot hurt. But there is one more instance: the
reader. Try to write for our brains, characteristics and quirks. The better the
stars are for your texts. I. Limits of the human brain Write for the short-term memory Our short-term memory should be
designed for a time window of only two to three seconds. Everything that goes
beyond this duration, we get problems. That means keeping together what belongs
together, verbs, sentences, information. Be careful with the so-called
"prohibition": This allows tearing apart the components and tenses of
a verb as far as possible. But we cannot handle more than one slide of about 12
syllables. (Examples: "Never tear ... apart", "he had ... torn
apart".) Be careful with your sentences. Make sure you understand each
subset well, and beware of too long slots. (Example: "Beware, because our
memory blablabla ..., too long slots ...") And trade information
compactly: Write for thought leadership We cannot read minds - certainly not
in writing - and we need a logical line of thought. Having understood A, we can
digest B. For you, this means serving your readers a linear successive set of
arguments. Of course, you can also work with breaks, jumps, hints and
surprises. But all of this means an increased workload for the brain, it can
cause misunderstandings or cause the reader to understand anything. In many
cases, it is helpful to write in sequence and keep the thread going. Always ask
yourself if your reader will be able to follow you to the point just mentioned.
Only then will we continue to the next point. Even optical design tools can
help. Write for information store We also tend to store information in
different departments, areas. If you move from duck breeding to quantum physics
out of the blue, your readers will not only have to digest the abrupt change of
subject. You also need to change the department, so to speak, to find relevant
(technical) terms or stow away new information. Again, this means an increased
workload for the brain. Instead, provide your readers with a framework:
announce what's next. Give an overview. Agree on the topic. And let only then
follow concrete details. II. Potentials of the human brain Write for visual perception We interpret the stimuli of the
outer world through our sense organs. And most people tend to think and
perceive very strongly visually. We think in pictures and get a picture of
something. You can use this human attribute for writing. Address the senses of
your readers. Deliver material for human imagination. Create mental images. It
works with a concrete pictorial language. "Trees" do not deliver a
picture yet. In the "Christmas tree", on the other hand, many
readers' brains fire bundles of associations and images: decorated Christmas
trees in their living room. Nativity scenes under the tree. Snow-crowned fir
trees in the town square. The smell of pastries. Church bells in the ear. Your
reader is now wide awake and enthusiastic about it. Use it for your texts. Write for mental images As I said, we tend to get mental
pictures of something. We also save many everyday, familiar words as pictures.
We recognize them "at a glance" without having to deal with them more
closely. It is much easier to read because we jump from image to image, so to
speak. Everyday terms such as tree or house are therefore better than
unfamiliar artifacts such as material procurement measure. Write whenever you
can, not only pictorially, but also simple and familiar. Where that should not
work, help simple, pictorial explanations and descriptions. III. Other human characteristics Write for limited attention span We humans only have a limited
attention span. What does not grab us more or less quickly is lost. Therefore,
avoid anything that is lengthy in your texts. Get to the point and delete
everything superfluous. Be careful not to waste time on your readers. Strong,
curious introductions can also help catch the ever-diminishing attention of
your readers. Write for human emotionality Of course we are also emotional
beings. Pack the readers with their emotions, entertain them, serve the
pleasure and fun factor. It goes with content, but also with a nice,
"enjoyable" language. Illustrative, stimulating additions are also
great. It can be: pictures, examples, stories, questions, quotes, jokes and
more. Write for loud reading In the past, lyrics were often read
aloud. Even those who read alone, mumbled the text softly to themselves. And
even if we mostly read silently today, we have kept the need to formulate the
words in thought. Very few texts are only skimmed over by the eye and
"scanned"; their contents are usually not liable. So write for the
human ear. Every text should sound good, sound good. Read your own text aloud. IV. The reader as an individual Write for different requirements We humans are different. This is a
truism, which is firstly often ignored and secondly can have a major impact on
your lyrics. What prior knowledge can you expect from your readers? Which
technical terms should you explain? Which style and which "level" can
and do you want to maintain? Which examples make sense at all, because your
readers can know and assign them from their own everyday life? I also mentioned
above that you should try to write as easily and familiarly as possible. But
even that differs depending on the readership and target audience. It would be
helpful if you do not under- or overwhelm your readers. Write for different perceptions We also perceive differently. The
more you align with your readers, the better you will understand. No matter how
hard you try to express yourself well, everyone reads and sees something else
in a text. This is due to our individual perception and interpretation filters.
There will never be a 100% fit between you and your readers. But you could at
least worry about this point too. Will your readers probably understand you?
Will they have a sense of humor or irony? Will they accept speech as hyping or
exaggeration and find it good? Sure, often find texts and those readers who
will love them already. But if you know in advance, Write for different needs One last but very important point:
people have different needs. What needs and expectations do those people have
that you want to imagine or gain as a reader? For example, will your readers be
taught something, get informed, or want to have fun? Are you allowed to get
more detailed or do you have to write in a nutshell? Again, texts and readers
often come together by themselves. But if you use your texts to pursue
particular goals or to target selected readers, the question of the benefit can
be of vital importance. © 2018 Karen BernsAuthor's Note
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AuthorKaren BernsNew York, NYAboutKaren Berns is a business coach and writer with over 5 years’ experience. She specialized in Creative Writing. Her job is her passion. Her main goal is to help people find the balance in their l.. more.. |