Lancelot/Lady: Duke-Forest {Bookbinder}

A Story by Abishai100

Arthurian 'icons' reborn as 21st-Century Homeland (American) sports-writers win the Pulitzer for their view of 'defenses' of bookmarks (with media-bread).

A sports-culture 'faerie-tale' (loosely) inspired by the American college-basketball 'complexity' film Blue Chips (William Friedkin) and featuring 'iconic' characterizations from Arthurian legends. Thanks for reading!

DISCLAIMER: This work of media/mythology/sports fiction contains images/references with no explicit/commercial ties to any representative person(s)/body and is therefore cast as purely a 'personal' exercise in creative hyperbole (for 'open' material).

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Lancelot and the Lady of the Lake were reincarnated into the 21st-Century American Homeland as sports-superstitions writers on the cyber-highway(s) of the West and resembled in character/writing their past-lives 'Selves' concerning those metaphysics-IQ 'incomplete-distances' to the social choreography 'complexity' of bureaucracy-imagery in 'advanced' civilization.

Lancelot sought the spiritual counsel of the Lady in Medieval Camelot (Europe) during his 'complexity' with governance/personals negotiations and now as reborn as the sports-writer named Mr. Amlan Satan. The Lady (of the Lake) counseled the sword-knight of English complication(s) and for a matter concerning family-values woe(s) and was now reborn as his 'associate' sports-superstitions writer named Ezzy Harris.

AMLAN (Lancelot): I've found a 'chess-stalemate' diagram for sports-IQ.

EZZY (Lady): What's that, good knight?

AMLAN: A 2005 windows-access culture college-media equivalence.

EZZY: What's that, good knight?
AMLAN: A conference 'micro-rivalry' showcase featuring star-standoff.

EZZY: What's that, good knight?
AMLAN: A Duke (Blue-Devils) and Wake Forest (Demon-Deacons) IQ.

EZZY: What's that, good knight?

AMLAN: Duke-Forest (2005 toasted a star-stalemate (Redick/Paul).

EZZY: What's that, good knight?
AMLAN: Duke's 3-pt. wizard (Redick) made a 'stand' for rival Paul.

EZZY: What's that, good knight?

AMLAN: Despite Duke's loss (2005 in its storied history, Redick shined!

EZZY: What's that, good knight?
AMLAN: Chris Paul, a court-marshal of athletics 'demanded' brilliance.

EZZY: What's that, good knight?
AMLAN: It was a close-scoreline contest with Redick's theater-artistry.

EZZY: A photo-graphic (social-media age) 'glitter' for chess-education?

AMLAN: That's it (good for social media, and American culture).

EZZY: Redick/Paul for a Duke-Forest 'education' for superstition-IQ?

AMLAN: Excellence; Redick-Paul would eventually become teammates.

EZZY: Right-o, in sunny California/America; real ambition premonition.

AMLAN: The right-stuff for post-9/11 era Homeland media-work.

EZZY: Secures the Western 'image' of net-activity hospitality?
AMLAN: Against this 'surfaced' threat of antisocial terrorism (9/11).

EZZY: Chess for media-bread.

Well, this was great for American windows-culture and net-activity commentary for antiterrorism concerning infrastructure/network confidence for competition 'education' and investment/interest in college-media excellence, and that's just what Amlan Satan ('Lancelot') and the 'Lady' (Ezzy Harris) used for a media-age IQ 'chess-superstition' diagram for what cast American net-activity as a 'metaphysics-game(s)' for secured Western intelligence-readings (for materialism-readings).

AMLAN: I got myself a Redick-Sixers 'trophy' sports-net card for stories.

EZZY: Why not a Clippers-Redick card, to pair with a Paul-Clippers card?

AMLAN: Philadelphia's boasting Redick is a nifty 'image' of national fun.

EZZY: Aha, well, I prefer the Clippers-variance for a Paul/Redick match!

AMLAN: Both are cool, lady; we'll draft an 'American' Ouija-tale.

EZZY: For social media culture (citizenry) commentary for capitalism.

AMLAN: Excellence; for the 'energizer' variety of fanfare-personality.

EZZY: College-media serves as 'training' image for pro-competition IQ.

AMLAN: In deeds; we'll draw interest from peers/fans/readers/writers.

EZZY: Cool (for social media).

College athletics/basketball had generated much 'training' imagination for pro-sports in the Homeland, and the 2005 Duke-Forest post-9/11 era 'American' sports-windows 'chess-stalemate' superstition diagram erected by Amlan (Lancelot) and the Lady (Ezzy) created a 'cool' new millennium 'image' for what'd become a mind-game for the simplified materialism-readings of network creativity for institutional/infrastructure stabilization confidence. This would counter their new age 'paranoia' about 'threats' to everyday-life bread superstitions.

AMLAN (Lancelot): The Duke-Forest 'stalemate' is Homeland trophy-IQ.

EZZY (Lady): For competition-education and traffic-memories?

AMLAN: A remedy for the scars of Homeland-invasion induced darkness.

EZZY: I feel like we're emotive chivalry-imagineers (somehow).

AMLAN: Maybe in past-lives, we'd been special 'governance' artists.

EZZY: Surely (for social media!).

When Amlan/Ezzy won the Pulitzer with their excellence in chess-superstitions and college-media activity/access for Homeland traffic-and-infrastructures medicine, they'd be counted in the grand imagery-halls of Western 'incomplete-distances' to the metaphysics of 'defined' social bureaucracy (for the Ego).

AMLAN: The Duke-Forest bureau is one of media/traffic vitality IQ.

EZZY: What's that, good knight?
AMLAN: An image of 'defense(s)' for Western lifestyle readings!

EZZY: A confidence for our age of 'distance' for threats to networking?

AMLAN: A potion to 'forget' about Pearl-Harbor and 9/11 (perhaps).

EZZY: Cool; we might complement our 'deed' with a 'Wolfen' wonder.

AMLAN: Aha, "Never fear the werewolf in a land hosting beauty."

EZZY: Just as I'd have written it, were I your spirit-counselor, knight.

AMLAN: So cool (photo-graphics).

Amlan (Lancelot) and the Lady (Ezzy) made 'toast' for their deed of superstitions-writing with a world-exchange symbolic soft/zesty (Indian) luchi-bread thanksgiving-diner plate for chat(s) and would recount their special folklore for Homeland confidence/competition as a special 'art' for what made Western hospitality-readings a 'success-secret' for brainiacs.