Courtyard: Excalibur-Prince

A Story by Abishai100

A 'knight' of the Homeland is 'drawn' by globalism-superstition and terrorism-concern and finds both Romanticism and Empiricism in his (mod) age of 'distance' to language-bond.

A Homeland 'superstition' yarn, loosely inspired by World Trade Center (Nicolas Cage). Hope you like,

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Amlan Satan had begun his special treasure-motions paranoia work in Manhattan (NY/USA), drawing on some of the theater/aesthetics from Western/American street-culture designs imprinted from commercial life and taken from various 'gears' of ritualized civilization like the Mummers Parade and Mardi Gras, hoping to capture the 'chess-tie' between valuables and capitalism-race relevant/reflective fashion-ornaments. This prince of American 'metaphysics' hoped to capture the sword-shine pronounced in fashion-treasure ties in commerce/cultural life in the West (America) that was reflective of our post-9/11 era Homeland social-media 'commentary' culture of lifestyle-drawn superstitions (for the Ego).

He became paranoid that on Thanksgiving, the Courtyard (hospitality-institution) in Manhattan (NY/USA) would be attacked by terrorism, perhaps with some bio-chem warfare item/weapon reflective of a modern 'incomplete-distance' to antisocial-terrorism 'drawn' threat to capitalism/commerce 'grid' vitality securing post-9/11 era Homeland globalism-rhetoric for traffic/immigration/consumerism hospitality-confidence (wow). Was he being paranoid, or was there some real (dark) threat to commerce/traffic/hospitality life in the post-9/11 era Homeland 'street-culture' vibe of those 'incomplete-distances' to lifestyle-confidence securing consumerism-imagination for commercial bureaucracy? Mr. Satan decided to take-up residence at the Courtyard (Manhattan) and began writing his serious American novel about the value of examinations for 'chess-stalemate' IQ for post Cold-War capitalism-grid defenses for globalism-rhetoric highlighting why infrastructure-defense/securities would fortify Western/American capitalism-claims to Homeland leviathans (hmm).

NOVEL NOTES (Dr. Amlan Satan):

"Seems to me, as I stare out my high rise (Courtyard) hotel (windows), meditating on the landscape-traffic of New York (Manhattan) that surface these new-forms of Homeland 'expression' concerning grid/traffic motions driven interest/fascination with value, assets, exchange, and media, that the emerged new millennium 'anathema' of manmade terror (e.g., 9/11) is imprinted onto these Western/American 'environment' incomplete-distances to social-media culture hospitality-images fostering a new 'brand' of Earth-swordsmanship...one of (incomplete) laughter."

His work won him the Pulitzer, perhaps because Satan found that lifestyle/traffic/grid (Manhattan!) 'link' between the intuitions of street/consumerism imagery and politicized/romanticized capitalism-race 'chess' thinking for functional social controls/bureaucracy (surely). Well, he was in Manhattan just 2 years later, following the (final) subsidence of the horrid Israel-Gaza crisis fueling Western fears/worries about 9/11 'oriented' world-rhetoric 'troubles' in this new millennium of distances to commerce securities, and he found a fantastic work about linking chess with everyday-consciousness, and he met a gorgeous bookshop clerk (Ezzy Harris) who'd challenge his very sense(s) of the quality of traffic/hospitality intellectualism, moving him to inject more 'emotion' into his notions of mind-driven paranoia for world-traffic bread (for the Ego).

EZZY: What you (actually) need for the holidays is pumpkin-soup (for bread!).

AMLAN: Wow...Manhattan's become much more hospitable in the last 2 years, lady.

EZZY: I'm your Lady-of-the-Lake, doc.

AMLAN: That makes me the 'table-knight' of bureaucracy-readings emotion, Ezzy?

EZZY: Why not...for a 'Homeland' mechanics-reading (surely).

AMLAN: At least Manhattan's still...hospitality bound (ha).

Amlan Satan took Ezzy Harris, his new 'lady of the lake' in the Homeland, to the very-same Courtyard (Manhattan) where his writing(s) won him the Pulitzer, to share with him his new holiday-season consumerism/capitalism 'parody' avatar ("Evil-Elf") which would help them (more emotionally) conceive of those 'incomplete-distances' to traffic/lifestyle drawn American 'life' optimism for confidence/courage and help (all) Americans transcend the real darkness of 9/11, the wrought image of (incomplete) everyday fortune(s).