Esper Prologue

Esper Prologue

A Chapter by Angelo Kingston
"

The prelude to a new world.

"

 

Esper

 

Part 1

“Great! Our reward for all this year’s hard work, a crappy office party! I’m not the least bit surprised that Vernon would spend all his time brown-nosing and hobnobbing with Walter and the others. Meanwhile, the good little worker bees get rewarded by being sat at the bar, given cheap beer and being allowed to watch some crappy game on a big screen T.V. I can’t wait for all of their castles to come crashing down around them.”

“Wow Nicolaus, you sure do wax poetic when you’re drunk. Keep up that level of complaining and not taking action and you’ve got yourself a job in politics someday.”

“I’m better off in the trenches. The Department of Futurists wouldn’t benefit from someone like me taking any leadership rolls. Carl, you’d definitely have a better chance up at the top, being the light that brings all of us lowly peasants on the lower floors some kind of joy.”

“What are you talking about? The one that brings us any form of joy is clearly…ah, her!”

“Her? Amala? Yeah, she’s pretty. But that ‘holier than thou’ personality of hers needs to go. She won’t even give any of us slubs a chance.”

“Well, when you look like that, and are that smart, do you really need to talk to losers like us? S**t man, look at her. Long black hair, sexy fuchsia lipstick, tiny black dress, bronze unblemished skin and those beautiful purple eyes…and such a cute little butt! Man, they don’t make ‘em like that too often!”

“Let me finish my drink so I can poke holes in your previous observation. Bar-keep, one more! First, you sound like a perv. Second, her eyes probably aren’t purple; contacts. Third, you sound like a perv.”

“Good to see that you agree with everything else though.”

“You know what? I take back my complements; you’re just a dirty old perv. That’s enough standing around and doing nothing. Do you see that cute, red head waitress with the freckles and in the short skirt? I’m going for it.”

“Yeah…okay. I’ll wait here to console you when she turns you down and you need someone to complain about how much of a b***h she is.”

“Whatever man; watch this!”

“Hello! Can I help you?”

“Hi - Yo! I’m Nicolaus - or Nick, that’s what most people call me. What’s your name?”

“I’m Katie…look…I know…”

“Katie, huh? Sweet name…you know sweet, like cool not tasty. Anyway, before I make any more of a fool of myself - tell me how do you feel about office parties? I hate them, personally.”

“Well, I don’t really go to office parties, since I don’t work in an office. These ‘end of the year’ gatherings are the bane of my existence. There were two of them this week before you guys. I had maybe… two old guys grab my butt, one d-bag tell me I looked like ‘one hot tamale’ and some dude barfed all over my pretty little skirt, which gave my already skeevy boss a reason to finally make me wear an even shorter skirt that he’s been trying to stick me in for a month.”

“Oh…um…M-my boss is over there with the slick haired guy’s head up his a*s.”

“*Giggle*”

“Hah! Made you laugh. I’ll take that as my one victory for the night.”

“Wait, is it so bad you need to count?”

“I mean… This year sucks in general. There were those documents that were leaked naming a bunch of criminals who’d never gotten convicted, a bunch of big businesses fired their workers and…it feels like the world’s about to end.”

“Can’t give up hope yet. I think…your boss is looking this way.”

“Is it the Italian guy with the slick back black hair, with just a bit of poop on his nose from sticking it up someone’s a*s?”

“Yeah.”

“That’s not my boss that’s�"”

“Yo, Nick’O, sup!”

“Hi, Vernon.”

“What is up man? You couldn’t possibly be hitting on this pretty young waitress?”

“Wha!?”

“I’m so sorry miss. My co-worker here is a bit too outgoing sometimes.”

“It’s okay. Look, I’ve got to go. Bye, Nicolaus.”

“Yeah…see ya’.”

“Essh, Nick’O. You really need to work on your game. You see how fast she ran away?”

“What is it? What do you want, Vernon?”

“Hostile! Relax, man. I’m just here to talk.”

“When was the last time we talked? Oh yeah! When you told me that I wasn’t doing my job correctly! And then there was the time you told me that my desk should be kept clean because it makes everyone else in the office look bad. No, you know what, bet it was the time you said that I should tuck in my shirt at work, even though that isn’t a rule. See, what’s funny is that was all in one day, the first day I’d ever even met you.”

“Okay, okay, okay. I get that I’m not your favorite person, but it’s going to be a new year soon. We’ve worked together for like two years now and I think we need to stop this little turf war.”

“Well… I don’t actually like having to work with people I can’t stand.”

“Exactly! Look, I’ll start; let me extend an olive branch. Me, Amala, Walter and Carl are going out to Newtownville. All the suits and low quality drinks are the s***s, so were going to have a better party away from these guys. Oh, and you can’t see the sky to well from the inner city. I know what you’re thinking. ‘Sky? What the heck? Nothing to look at in the sky.’ No! As a matter of fact, the night sky is going to have those awesome lights the newspapers’ have been talking about, and it’s going to start snowing from what I hear. What I’m saying is, I came over here with the mission statement that I’d make peace with you, what do you say?”

“Hang on, Carl is going?”

“Yup! You’ll even get to ride with us and everything. Heck, if you need more incentive…free drinks!”

“Alright, alright. Whatever…”

“Perfect! We’re out of here in about ten minutes. Go grab Carl. I’ll get Amala and Walt.”

“Un-huh.”

“Look who’s back joining the peasants. So, Nick; how was it? Get rejected?”

“No. I’m not you, Carl. Anyway, what the hell man? When did you and Vernon start getting all buddy-buddy?”

“I mean…I never really disliked the guy. When he came over he said he wanted to bury the hatchet.”

“Let me guess, he also said that Amala was going on this little escapade and your jaw hit the floor, then you decided that I would go without asking me.”

“Man, you can’t just stay an angry brat all your life. Try and have some fun, try and do something new.”

“Whatever, fine.”

“Hey, look.”

“What? Oh, you’ve got to be kidding me.”

“Looks like Vernon is getting the redhead’s number.”

“That son of a…great, now he’s coming over here.”

“Carl, Nick! Looks like we have a new friend joining us. Miss Katie, the cutie over there gets off in a few minutes too; she will be accompanying us tonight.”

“Cool. Nick’s happy about that, I bet.”

“Uh…yeah, ‘course.”

“Yeah, bro. All for you. Alright, Amala and Walt are already out front. Let’s bail!”

Part 2

11:44 PM

Newtonville Rock. A large, almost mountain like rock formation on the outskirts of Newtonville; a small town finally dragging itself into the 21st century. The small town of Newtonville is dwarfed by the neighboring city of Trenton, Arizona.

(Never thought I’d be riding in a car with some d-bags I don’t even like. Having to laugh at their jokes and pretend that they’re not just a bunch of garbage people, this makes me feel like such a tool. The sooner I get out of this truck the better.)

Upon reaching Newtonville rock, Nicolaus quickly exited the car alongside of Carl.

“I am never doing that again.”

“Oh, it wasn’t so bad, you’re such a drama queen.”

“You got to sit by a window. I don’t want to hear your crap.”

“Yeah, but you got to sit between both Amala and the Red-head.”

“Her name’s Katie, by the way.”

“Whatever. Looks like she’s coming this way. While you’re over here romancing her, I’ll give Amala a little bit of time with her soon to be passionate lover, me!”

“Please, just go away.”

Carl ran off gleefully to give Amala some company.

(Man…I do have to admit, Amala is good-looking. She’s got such a stark look about her. Crap! Did she catch me staring?)

“What you blushing about, Spike?”

“Spike? Is that what you’re going with?”

“Yeah, it’s okay. Not many guys I know who have hair as spiky as yours, so you stand out.”

“Guess I should call you ‘red’ in return?”

“Go ahead, wouldn’t be the first time. Tons of the old guys at the bar call me ‘Red’.”

“You mean the old guys’ who try to grab your butt and throw up on you?”

“Yup, them.”

“Let’s not go with ‘Red’ then.”

“Good idea. I’ve got a question though. what exactly is so special about this big rock?”

“The papers’ have been saying that some crazy, mysterious lights have been hanging in the sky over here for the last few days. Something like the northern lights.”

“The northern lights? Sounds more like everyone’s tripping on acid.”

“Don’t ask me. I got nothing.”

A sudden commotion began coming up the path. Some teenagers were surprised to see another group standing opposite to them as they came to the clearing.

“Huh? Hey, there. You kids’ up here to check out the lights too?”

“Oh…yeah, bro. Me, the dudes and the ladies were just trying to find a good spot to see the aurora.”

“Aurora? That what the kids ‘er callin’ it now?”

“Yeah, bro! It’s awesome! Hey, is that whiskey? Mind if we join you?”

“Hell yeah! I’d be insulted if you didn’t.”

(Giving kids alcohol, huh Vernon? I should call the police on your a*s; but I guess I’m trying to bury the hatchet…so…)

“Well, looks like we have almost doubled our groups’ size; eh’ Spike?”

“Yeah…”

“…What’s up?”

“It’s just now I’ve got to deal with this smart-a*s jerk-off and some lug headed jocks.”

“You still use the terms ‘jock’ and ‘jerk-off’, yet you’re in your twenties. Which tells me a lot about you.”

“What? Like what?”

“If you’ll allow me to psycho analyze you for a minute…okay. Number one, you were probably geeky in high school. Number two, you are probably not very active in sports right now. And finally, you’re probably not very popular, or good with girls.”

“H-Hey now…two of those, okay. That last one…come on…”

“That was, admittedly, a shot in the dark. I was right though, wasn’t I?”

“Well…”

“Thought so. Relax, I’m playing with you. You’re so fun to tease.”

“Don’t know if I like that or not.”

“Hahaha…so, any idea when these lights are supposed to start?”

“Not sure. Where’s Carl? I’ll ask him.”

“Best leave him alone. He seems to be very busy with that quiet girl over there. I’ll just ask Vernon. Hey, Vernon, when does this thing start?”

“Should be any minute, Katie. Come over here and grab something to drink with us!”

“In a minute! Geez, guy’s kinda pushy, huh? He’s alright looking, but if he were to start in on me, no way in hell. Chill out for a second, dude, am I right?”

“Oh, well, I mean…”

“Huh?”

“Now that I think about it…why did you come out here.”

“My boss said I could leave for the evening and, well…ya’ know…”

“Sorry, I’m kind of dense; could you spell it out for me.”

“*Sigh*…My…boyfriend…called me and said that he was too busy to pick me up…and Vernon came over at the right time…and I was kind of pissed, which is why…”

“Oh…heh…I see.”

“Spike, I was going to tell you before, but I couldn’t bring myself to. You’re actually really fun to talk with and I got all swept up and stuff.”

“Wait, you could tell that I was…”

“Yeah. We waitresses get it all the time. At least I can say you were the most polite guy I’ve ever been hit on by. That doesn’t really help, does it?”

“Not really…no. Well, I feel like an idiot.”

“No, no, no, I have a boyfriend, so that’s why…uh, I mean…”

“Right…”

“…”

“…”

“…I think I’m going to go over and get something to drink. I’ll - uh - see you over there, Spike.”

Carl returned to Nicolaus’s side confused at the look on Katie’s face.

“Hey, Man. What happened? She looked really relieved.”

“Whatever, man.”

“Hey, you don’t want to talk it’s all good. I, on the other hand, made out great!”

“Really, how?”

“Well, first, here! I brought you something to drink away your sadness.”

“Thanks.”

“And, Amala only told me to ‘go away’ this time.”

“That’s an improvement?”

“Yeah dude! Usually, she’ll just ignore me until I go away. I think it’s time for the second phase of my plan.”

“Which is?”

“I unzip my pants in front of her and say ‘welp…we’re already here and it ain’t going to suck itself’.”

“…and then get promptly arrested, is the next part of your plan, I’m guessing.”

“It was a joke - sort of - but hey, maybe if you tried that with the redhead things would’ve gone differently.”

“Why are we friends again?”

“Because of my good looks, charm and comedic timing that are all unrivalled, making you wish you could possibly catch the women I throw to the way side.”

“Good looks…you’re like in your late thirties, balding, have a beer belly and haven’t had a steady girlfriend since probably high school. And you were saying that I wax poetic when drunk.”

“But here I am, still the most desirable bachelor at our job.”

“*Sigh*”

“Hey, look!”

Everyone’s attention was drawn to the pitch-black void that was the night sky. Ever so slowly, snowflakes drifted downward as a cold breeze began to roll in. The entire city and all its inhabitants looked up as the frozen particles danced gracefully carried by the light gusts of wind. As the snow continued to fall, an almost purplish hue enveloped the sky. It was followed by a blue streak glossing over it; followed by red and yellow and even white.

“Whoa, Nick, you seeing this?”

“This must’ve been what Vernon was going on about.”

“Wow, man! Ridiculous, right? How is this even -”

Just then, an ear piercingly loud static sound, erupted from the sky. The white streaks started to plume into rounded orbs, growing and shrinking in size repeatedly. The noise continued to grow in volume making the ground feel like it was shaking. Everyone at the small ridge had their ears covered attempting to shut out the sound. Then almost as suddenly as it started, it ended.

“What…what the hell was that?”

“Hey! Is everyone alright!?”

“S**t; man, my ears…I can’t really hear! What’s going on?!”

“Everyone looks ok�"”

A blinding white flash was the last thing anyone from that time and place remembered.

Part 3

(Beeping…beeping…what the hell is that beeping? Why can’t I move? My whole body feels like it weighs six hundred extra pounds. Even my eyelids are heavy! Don’t freak out, don’t freak out! Probably just sleep paralysis…that’s not good though. D****t, will someone stop that damn beeping?!)

*Crash! Bang! Clang!*

(What was that?)

“Doctor! Something happened!”

“Is the patient alright?”

“He seems to still be asleep.”

(Are they…talking about me?)

“What the hell happened in here?”

“It looks like someone ran through here and knocked everything over.”

“Let’s get this cleaned up for now.”

(They left. I need to open my eyes…come on…come on.)

Nicolaus’s eyes sprung open. The clean, pure, whiteness of the room blinded him for a second. White sheets, white walls, bright white lights casting a clean glow over the room, it was desensitizing. The apparent beeping was coming from a heart monitor that sat alongside the young man’s bed. Nicolaus looked down and saw tubes and cables hooked up to his body. He shuddered as he sat up and began to remove them.

“Ah…! D****t! That hurt! The last thing I remember…was that light. Where is everyone?” Nicolaus started hitting the buzzer near his bed, but the nurses were already on their way in since he’d torn off most of the monitoring cables.

“My god, sir, please lay back down!”

“Wait, please! I need to know what’s going on.”

“Doctor! Doctor!”

“Hang on, I just want to know what’s going on!”

“Nurse, please! I’ll handle this. Son, please wait for one moment.”

The doctor led the nurse out of the room then returned and took a seat next to Nicolaus’s bed.

“Hello, Nicolaus. My name is Dr. Archibald. How are you feeling?”

“Fine, I guess. Where are the others, where am I, what’s going on?”

“All in due time, son. For now, just relax. Everyone is safe. You were brought here to North Trenton Hospital. A few hikers found you all collapsed up on Newtonville rock.”

“Really? What was the cause?”

“Like I said, all in due time.”

“Okay, I guess.”

“Now, please get some sleep. I’ll be checking back in soon.”

“Alright.”

The next few days were quiet, aside from the nurses and doctor running in and out of Nicolaus’s room. He was unable to call his family that lived in a different state, but was reassured that they’d been notified of his condition. They started running tests on the third day and continued for a few days after that. A little over a week passed and the police finally came to speak with Nicolaus.

“Uh, can I help you, sir?”

“Don’t go callin’ me ‘sir’. You make me feel old.”

(You are pretty old though, man.)

“Let’s see here…your name is Nicolaus Thompson. You’re 24 and work as a computer technician at the Department of Futurists. You don’t seem to have any prior arrests or anything - hell, not even a single parking violation!? Wish I was this good when I was a kid!”

“That’s nice and all, but can you tell me what the hell is going on? I’ve been saying that exact line for what feels like weeks and haven’t gotten an answer yet. You guys have left me in the dark since I woke up so I think I’m entitled to…something!”

“Look, kid there’s a procedure that I need to follow, alright?”

“Sorry…it’s just…”

“*Sighs*…I know you’re on edge having lost so many of your friends, but I need you to help me with this. We need as much help with this investigation as possible.”

“What?”

“We’ve hit a ton of stops along the way during our investigation and we could really use the perspective of someone who was actually there.”

“No, not that! W-What did you mean when you said that I’d lost friends…” Nicolaus’s voice cracked.

“S**t! They didn’t tell you? Damn, I’m going to get in so much trouble. Alright, guess I’ve got to be the one to tell you now. Most of the people involved in the incident…have passed. Only a few are still currently with us; which are you, Amala Singh, Vernon Marino, Katie Vang, Harper Wolf, and Vergil Trask.”

“So…everyone else…died?”

“Yeah, I’m sorry, kid.”

“E-even Carl?”

“Carl Lincoln? Yes, him too.”

“…”

“It’s been happening slowly for the past few days. They’ve been dying off one by one and we can’t seem to pinpoint the cause.”

Everything that the detective was saying to Nicolaus went over his head at that point. Hearing that all the people who went out that night with him were dying, knocked him for a loop. That night, everything changed…not just for those involved, but even the world surrounding them had changed forever.

 

 

End of prologue



© 2020 Angelo Kingston


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Featured Review

In line with the other post: If you're using MS Word, use the top ruler to set the indents, not leading spaces or tabs. That's what publishers expect, and the software here will translate it and indent properly.

That aside...oh my…you are so going to hate me. 😆 But you need to know what I'm about to say because there are things holding you back. And since you are so focused on writing, and it’s keeping you from a shot at publication, I thought you'd want to know.

At the moment, in all your writings, you’re talking TO the reader and telling them ABOUT a story. I'm guessing that you noticed there was a problem with exposition, and so, in this piece to you’re trying to get the narrator offstage by limiting what they say. But that leaves unknown people lobbing lines back and forth like a softball. They don’t hesitate or rephrase. They don’t change expression, use any of their senses, make decisions, or place emotion into their voice. So in the end you have talking heads discussing things the reader has no context for.

You already know what’s going on in the scene, plus what led to it. and, know how you want the reader to perform the voices. But the reader doesn’t, and can't. And since they don’t know how a given character will react to what they hear, internally, or their intent for saying something, all they can do is guess. Have your computer read this aloud to hear what the reader gets, and how different that is from what you intend.

Look at the opening lines as a reader:

• “Great! Our reward for all this year’s hard work, a crappy office party! I’m not the least bit surprised that Vernon would spend all his time brown-nosing and hobnobbing with Walter and the others. Meanwhile, the good little worker bees get rewarded by being sat at the bar, given cheap beer and being allowed to watch some crappy game on a big screen T.V. I can’t wait for all of their castles to come crashing down around them.”
- - - - -
You know what's going. The reader ends up with unanswered question:

Were are we? No way to know.
Who is this speaking? No clue.
Why is he or she bitching? Can’t tell.
Who are “Walter and the others,” and why is this unknown person angry? I can’t begin to say.
Why didn’t this person simply go home if they felt that way?

That last one I can answer: They’re a whiner. Is that what you intended the reader to conclude? Probably not, but not knowing WHY this person feels that way, what else can it be, from-the-reader’s-viewpoint? You want the reader to turn to page two, but given that they don’t like the one we think will be our avatar, why should they? Readers are volunteers. Not conscripts.They're with you to be entertained by being made to feel they're living the story, not hearing about it. So if you don't make them WANT to turn the page by making them care on every page, they stop reading.

So...after 78 words, which is pretty much the first page in a standard submission, we don’t know the gender of the speaker or why they’re speaking. We don’t know who they’re speaking to, or why we should care. Were this part of a submission, the lack of context for the reader would bring the rejection slip out some time within this paragraph.

I’m guessing that this is an experiment, since it doesn’t match your other writing. That you’re trying to solve the problem is good, but unfortunately, through no fault of your own, you’re trying to solve the wrong problem.

To understand that you need to look at why people read fiction, and what a story is. Because of our background and the teaching we received, we tend to think of a story as a series of connected events, and present it in that way. But as E. L. Doctorow observed, “Good writing is supposed to evoke sensation in the reader. Not the fact that it’s raining, but the feeling of being rained upon.” And in all the years of your schooling your teachers spent not a single moment on how to do that. They trained you to provide the weather report.

Why? Because Fiction-Writing is a profession, and we learn professions IN ADDITION to the basic skills we call, “The Three R’s.” In our school days we’re being readied for life as a productive, self-sufficient, and employed adult. So we’re given the skills necessary to employers, like being able to write essays, reports, and letters, which are nonfiction skills meant to provide the reader with an informational experience. Fiction readers, as I mentioned, are seeking an emotional experience, which requires a VERY different approach.

The short version: Like every other successful writer you need to learn the skills of the profession if you want to please a reader who has been choosing fiction written with those techniques since they learned to read. There’s no way around that, and no shortcut other then not to look for shortcuts.

Is that good news, after you’ve worked so hard on your novels? Hell no. It’s no better for you than it was for me when, after having written six unsold novels I got the news myself.

But on the other hand, after taking the time to learn the necessary skills, and to perfect them, my next submission yielded a contract, as did the three after that. So while that doesn’t men it will happen to you, if you don’t take the steps necessary to acquire the skills of the pro, as someone who owned a manuscript critiquing service before I retired, I can tell you that any manuscript submitted using our schooldays writing techniques will be rejected before the end of page one. For a bit more on that, you might want to look at this:
http://writersinfo.info/For_All_Genres.pdf

For a little more on the differences between the skills we’re given and those required by the profession, you might look at a few of the articles in my writing blog. But to fix the problem I strongly suggest you pick up a copy of Dwight Swain’s, Techniques of the Selling Writer. It’s the best book I’ve found to date, and the one that got me my first contract.

I truly wish there were a more gentle way to break such news. It hurts. I know that because I’ve been there, and it was such a shock that it took me three days before I could function again. But I did recover, and I got to work. It took me a full year, but I loved the way my protagonist went from being a board-piece that I moved around to becoming my writing partner, whispering suggestions and warnings in my ear. Have you had one of your characters tell you, “Hell no. I won’t do that and you can’t make me…not in this situation. Instead, I’d do this.”? If you haven’t, then that character isn’t real to either you or the reader.

If you’re meant to be a writer you’ll find the learning fun, and often find yourself saying, “But that’s…it’s obvious. Why didn’t I see it?” And if that doesn’t happen? Well, you’ve learned something important. So it’s win/win. Right?

So dig in. And while you do, hang in there, and keep on writing. It doesn’t get easier, but after a while we do become confused on a higher level.

Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/the-grumpy-old-writing-coach/

Posted 4 Years Ago


1 of 1 people found this review constructive.

Angelo Kingston

4 Years Ago

Thanks for the review. I took a little time let it set in, and I see what you were saying. This chap.. read more



Reviews

In line with the other post: If you're using MS Word, use the top ruler to set the indents, not leading spaces or tabs. That's what publishers expect, and the software here will translate it and indent properly.

That aside...oh my…you are so going to hate me. 😆 But you need to know what I'm about to say because there are things holding you back. And since you are so focused on writing, and it’s keeping you from a shot at publication, I thought you'd want to know.

At the moment, in all your writings, you’re talking TO the reader and telling them ABOUT a story. I'm guessing that you noticed there was a problem with exposition, and so, in this piece to you’re trying to get the narrator offstage by limiting what they say. But that leaves unknown people lobbing lines back and forth like a softball. They don’t hesitate or rephrase. They don’t change expression, use any of their senses, make decisions, or place emotion into their voice. So in the end you have talking heads discussing things the reader has no context for.

You already know what’s going on in the scene, plus what led to it. and, know how you want the reader to perform the voices. But the reader doesn’t, and can't. And since they don’t know how a given character will react to what they hear, internally, or their intent for saying something, all they can do is guess. Have your computer read this aloud to hear what the reader gets, and how different that is from what you intend.

Look at the opening lines as a reader:

• “Great! Our reward for all this year’s hard work, a crappy office party! I’m not the least bit surprised that Vernon would spend all his time brown-nosing and hobnobbing with Walter and the others. Meanwhile, the good little worker bees get rewarded by being sat at the bar, given cheap beer and being allowed to watch some crappy game on a big screen T.V. I can’t wait for all of their castles to come crashing down around them.”
- - - - -
You know what's going. The reader ends up with unanswered question:

Were are we? No way to know.
Who is this speaking? No clue.
Why is he or she bitching? Can’t tell.
Who are “Walter and the others,” and why is this unknown person angry? I can’t begin to say.
Why didn’t this person simply go home if they felt that way?

That last one I can answer: They’re a whiner. Is that what you intended the reader to conclude? Probably not, but not knowing WHY this person feels that way, what else can it be, from-the-reader’s-viewpoint? You want the reader to turn to page two, but given that they don’t like the one we think will be our avatar, why should they? Readers are volunteers. Not conscripts.They're with you to be entertained by being made to feel they're living the story, not hearing about it. So if you don't make them WANT to turn the page by making them care on every page, they stop reading.

So...after 78 words, which is pretty much the first page in a standard submission, we don’t know the gender of the speaker or why they’re speaking. We don’t know who they’re speaking to, or why we should care. Were this part of a submission, the lack of context for the reader would bring the rejection slip out some time within this paragraph.

I’m guessing that this is an experiment, since it doesn’t match your other writing. That you’re trying to solve the problem is good, but unfortunately, through no fault of your own, you’re trying to solve the wrong problem.

To understand that you need to look at why people read fiction, and what a story is. Because of our background and the teaching we received, we tend to think of a story as a series of connected events, and present it in that way. But as E. L. Doctorow observed, “Good writing is supposed to evoke sensation in the reader. Not the fact that it’s raining, but the feeling of being rained upon.” And in all the years of your schooling your teachers spent not a single moment on how to do that. They trained you to provide the weather report.

Why? Because Fiction-Writing is a profession, and we learn professions IN ADDITION to the basic skills we call, “The Three R’s.” In our school days we’re being readied for life as a productive, self-sufficient, and employed adult. So we’re given the skills necessary to employers, like being able to write essays, reports, and letters, which are nonfiction skills meant to provide the reader with an informational experience. Fiction readers, as I mentioned, are seeking an emotional experience, which requires a VERY different approach.

The short version: Like every other successful writer you need to learn the skills of the profession if you want to please a reader who has been choosing fiction written with those techniques since they learned to read. There’s no way around that, and no shortcut other then not to look for shortcuts.

Is that good news, after you’ve worked so hard on your novels? Hell no. It’s no better for you than it was for me when, after having written six unsold novels I got the news myself.

But on the other hand, after taking the time to learn the necessary skills, and to perfect them, my next submission yielded a contract, as did the three after that. So while that doesn’t men it will happen to you, if you don’t take the steps necessary to acquire the skills of the pro, as someone who owned a manuscript critiquing service before I retired, I can tell you that any manuscript submitted using our schooldays writing techniques will be rejected before the end of page one. For a bit more on that, you might want to look at this:
http://writersinfo.info/For_All_Genres.pdf

For a little more on the differences between the skills we’re given and those required by the profession, you might look at a few of the articles in my writing blog. But to fix the problem I strongly suggest you pick up a copy of Dwight Swain’s, Techniques of the Selling Writer. It’s the best book I’ve found to date, and the one that got me my first contract.

I truly wish there were a more gentle way to break such news. It hurts. I know that because I’ve been there, and it was such a shock that it took me three days before I could function again. But I did recover, and I got to work. It took me a full year, but I loved the way my protagonist went from being a board-piece that I moved around to becoming my writing partner, whispering suggestions and warnings in my ear. Have you had one of your characters tell you, “Hell no. I won’t do that and you can’t make me…not in this situation. Instead, I’d do this.”? If you haven’t, then that character isn’t real to either you or the reader.

If you’re meant to be a writer you’ll find the learning fun, and often find yourself saying, “But that’s…it’s obvious. Why didn’t I see it?” And if that doesn’t happen? Well, you’ve learned something important. So it’s win/win. Right?

So dig in. And while you do, hang in there, and keep on writing. It doesn’t get easier, but after a while we do become confused on a higher level.

Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/the-grumpy-old-writing-coach/

Posted 4 Years Ago


1 of 1 people found this review constructive.

Angelo Kingston

4 Years Ago

Thanks for the review. I took a little time let it set in, and I see what you were saying. This chap.. read more
In the absence of indents for each paragraph, try double spacing between them. In this presentation it's hard to tell who is speaking.

This review was written for a previous version of this writing

Posted 8 Years Ago


1 of 1 people found this review constructive.

Angelo Kingston

8 Years Ago

Thank you very much your review! I hope hear from you again in the future!

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Added on December 29, 2015
Last Updated on February 2, 2020
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Angelo Kingston
Angelo Kingston

Philadelphia, PA



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I'd like to hear what people think as much as possible, so please feel free to comment. I will finish every single novel I start! more..

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